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Ying Qian, "Revolutionary Becomings: Documentary Media in Twentieth-Century China" (Columbia UP, 2023)

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Welcome to another episode of New Books in Chinese Studies. Today, I will be talking to Columbia University professor Ying Qian about her new book, Revolutionary Becomings: Documentary Media in Twentieth-Century China (Columbia UP, 2023).

The volume enriches our understanding of media’s role in China’s revolutionary history by turning to documentary. Qian guides readers through early documentary practice, left- and right-wing Republican documentary, and documentary as it functioned in the socialist and early postsocialist periods. In reference to socialist documentary, she writes, “As the vanguard of cinema, documentary in the Mao era meant, in principle, to facilitate the dialectical relationship between the masses and the party, not only to aid in their mutual constitution, but also to facilitate a collective formation of knowledge and priorities to direct the unfolding of the revolution” (249). In our interview, we will discover how crucial this understudied genre has been in the 20th century and learn how the mutually constitutive dialectic between documentary form and revolution worked in practice.

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5824 episodes

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Manage episode 429302491 series 2472510
Content provided by New Books Network and New Books. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by New Books Network and New Books or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Welcome to another episode of New Books in Chinese Studies. Today, I will be talking to Columbia University professor Ying Qian about her new book, Revolutionary Becomings: Documentary Media in Twentieth-Century China (Columbia UP, 2023).

The volume enriches our understanding of media’s role in China’s revolutionary history by turning to documentary. Qian guides readers through early documentary practice, left- and right-wing Republican documentary, and documentary as it functioned in the socialist and early postsocialist periods. In reference to socialist documentary, she writes, “As the vanguard of cinema, documentary in the Mao era meant, in principle, to facilitate the dialectical relationship between the masses and the party, not only to aid in their mutual constitution, but also to facilitate a collective formation of knowledge and priorities to direct the unfolding of the revolution” (249). In our interview, we will discover how crucial this understudied genre has been in the 20th century and learn how the mutually constitutive dialectic between documentary form and revolution worked in practice.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

  continue reading

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