In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Ep 111: Loretta Young in Columbia studio, 1940
Manage episode 324483782 series 2163848
Content provided by Sass Mouth Dames. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sass Mouth Dames or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
After twenty years in front of a camera, Loretta Young walked out of her contract with Twentieth Century Fox and became a freelance star. Darryl Zanuck blackballed her as a result, which lead to months without any script offers. She began her independent film career in Columbia studio, because Harry Cohn was one filmmaker brazen enough to defy Zanuck. Loretta made two pictures: The Doctor Takes a Wife (with Ray Milland) and He Stayed for Breakfast (with Melvyn Douglas). Both pictures were critical and commercial successes and established her facility with light comedy.
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Manage episode 324483782 series 2163848
Content provided by Sass Mouth Dames. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sass Mouth Dames or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
After twenty years in front of a camera, Loretta Young walked out of her contract with Twentieth Century Fox and became a freelance star. Darryl Zanuck blackballed her as a result, which lead to months without any script offers. She began her independent film career in Columbia studio, because Harry Cohn was one filmmaker brazen enough to defy Zanuck. Loretta made two pictures: The Doctor Takes a Wife (with Ray Milland) and He Stayed for Breakfast (with Melvyn Douglas). Both pictures were critical and commercial successes and established her facility with light comedy.
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continue reading
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
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