In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Ep 112: Linda Christian in Athena (1954)
Manage episode 330732018 series 2163848
Content provided by Sass Mouth Dames. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sass Mouth Dames or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Linda Christian could have been Hollywood royalty, and not just because she was discovered by Errol Flynn and married to Tyrone Power. An internationally educated woman who spoke six languages, Linda was talented and a tastemaker. She could have had a career similar to Anita Colby, a former model who became 'Feminine Director' at Selznick studio, developing stars such as Ingrid Bergman and Jennifer Jones. Linda is a standout in each film she made, especially in the delightful MGM musical Athena from 1954. Unfortunately, Hollywood never figured out what to do with her.
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Manage episode 330732018 series 2163848
Content provided by Sass Mouth Dames. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sass Mouth Dames or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Linda Christian could have been Hollywood royalty, and not just because she was discovered by Errol Flynn and married to Tyrone Power. An internationally educated woman who spoke six languages, Linda was talented and a tastemaker. She could have had a career similar to Anita Colby, a former model who became 'Feminine Director' at Selznick studio, developing stars such as Ingrid Bergman and Jennifer Jones. Linda is a standout in each film she made, especially in the delightful MGM musical Athena from 1954. Unfortunately, Hollywood never figured out what to do with her.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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