In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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29 - Cannes #2: Killers of the Flower Moon with Bilge Ebiri
Manage episode 364303846 series 3303733
Content provided by Screen Slate. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Screen Slate or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
New York Magazine/Vulture film critic Bilge Ebiri joins Screen Slate editor Jon Dieringer for a discussion of Martin Scorsese's Killers of the Flower Moon. In this spoiler free-ish discussion, we cover how the film fits into the Goodfellas crime mold and smartly diverges from the book to center the Osage characters. We also talk about where DiCaprio and De Niro's performances fit within their body of work for Scorsese, and where the film sits in his overarching project of chronicling America through its corrupt institutions.
We also talk about the general themes of tyranny and absolute power running through the 2023 Cannes Film Festival (with shoutouts to the unintentional hilarity of Firebrand) and repertory film culture in Paris, including the joy of watching shitty torrent rips at the Cinematheque Franciase.
The Screen Slate Podcast is supported by its Patreon members. Sign up and get access to bonus episodes, our lockdown-era streaming series archives, discounts from partners like Criterion and Posteritati, event invitations, and more.
47 episodes
Share
Manage episode 364303846 series 3303733
Content provided by Screen Slate. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Screen Slate or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
New York Magazine/Vulture film critic Bilge Ebiri joins Screen Slate editor Jon Dieringer for a discussion of Martin Scorsese's Killers of the Flower Moon. In this spoiler free-ish discussion, we cover how the film fits into the Goodfellas crime mold and smartly diverges from the book to center the Osage characters. We also talk about where DiCaprio and De Niro's performances fit within their body of work for Scorsese, and where the film sits in his overarching project of chronicling America through its corrupt institutions.
We also talk about the general themes of tyranny and absolute power running through the 2023 Cannes Film Festival (with shoutouts to the unintentional hilarity of Firebrand) and repertory film culture in Paris, including the joy of watching shitty torrent rips at the Cinematheque Franciase.
The Screen Slate Podcast is supported by its Patreon members. Sign up and get access to bonus episodes, our lockdown-era streaming series archives, discounts from partners like Criterion and Posteritati, event invitations, and more.
47 episodes
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
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continue reading
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continue reading
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