In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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1917 (2019)
Manage episode 324995838 series 2875432
Content provided by A War Film Podcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by A War Film Podcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Easily the biggest WWI film of recent memory, 1917 conjured a variety of opinions from critics and viewers alike. Its 3 Oscar wins (Cinematography, Visual Effects, and Sound Editing) and over 200 total award nominations speak for themselves.
Director Sam Mendes, with Roger Deakins as Director of Photography, boldly chose to shoot and edit the film as a “simulated one-shot”, à la“Rope” or “Birdman”.
Aside from the usual rivet-counting that always accompanies high-profile war films, the “single-shot” technique might be the most discussed aspect of 1917.
So, what did we think about the film, the shooting technique, and the story (loosely based on Mendes' grandfather’s experiences as a runner in the Great War)?
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Feel free to contact us with any questions or comments!
Our website: www.dangerclosepod.com
Join our Facebook group at: Danger Close - Podcast Discussion Group
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If you would like to support the show and get extra episodes where we discuss sci-fi, fantasy, and comedy war movies, join our Patreon for only $4 a month at:
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warmovies #warfilms #war #film #films #movies #history #cinema #documentary #WWI #worldwarone
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Manage episode 324995838 series 2875432
Content provided by A War Film Podcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by A War Film Podcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Easily the biggest WWI film of recent memory, 1917 conjured a variety of opinions from critics and viewers alike. Its 3 Oscar wins (Cinematography, Visual Effects, and Sound Editing) and over 200 total award nominations speak for themselves.
Director Sam Mendes, with Roger Deakins as Director of Photography, boldly chose to shoot and edit the film as a “simulated one-shot”, à la“Rope” or “Birdman”.
Aside from the usual rivet-counting that always accompanies high-profile war films, the “single-shot” technique might be the most discussed aspect of 1917.
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Join our Facebook group at: Danger Close - Podcast Discussion Group
If you like the show, please leave us a review on Apple Podcasts or Spotify!
If you would like to support the show and get extra episodes where we discuss sci-fi, fantasy, and comedy war movies, join our Patreon for only $4 a month at:
www.dangerclosepod.com/support
warmovies #warfilms #war #film #films #movies #history #cinema #documentary #WWI #worldwarone
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Similar to Danger Close
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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