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1K with Ken Ludwig: From church basements to Broadway

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Manage episode 312219608 series 3230248
Content provided by Jordan Snyder and Scott Galloway. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jordan Snyder and Scott Galloway or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Ken Ludwig is a Tony Award-winning playwright whose 25 plays and musicals have spawned six Broadway productions and seven in London’s West End. His first trip to Broadway materialized when an English director friend passed along the play that would become Lend Me a Tenor to a “producer friend" you might have heard of: Andrew Lloyd Webber. He loved the play, and six months later, it opened in the West End. Not long after that, Tenor hopped across the pond to Broadway.

Referred to as "America’s preeminent comic playwright,” he’s received acclaim for his original works (Lend Me a Tenor, Leading Ladies) as well as his adaptations of literary classics like Treasure Island and The Three Musketeers. For a man of his talent, he’s exceedingly humble and not sensitive about his writing. In this podcast, he discusses his recent adaptation of Agatha Christie’s Murder on the Orient Express, which found him taking notes from the Queen of Mystery's grandson, “How would legendary Belgian detective Hercule Poirot deliver this line?” More highlights from Ludwig include the joy when great actors breathe life into his words, the seemingly daunting task of teaching children Shakespeare, how writing plays longhand gives a better connection to the material, and, as an author who’s penned stories about both Sherlock Holmes and Hercule Poirot, he gives his own take on who is the better detective.

1K is affiliated with the 100 Words Film Festival and powered by OrthoCarolina.

1K is hosted by Scott Galloway. Produced and edited by Jordan Snyder. Music composed by Jason Hausman. Recorded at Concentrix Music and Sound Design.

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32 episodes

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iconShare
 
Manage episode 312219608 series 3230248
Content provided by Jordan Snyder and Scott Galloway. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jordan Snyder and Scott Galloway or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Ken Ludwig is a Tony Award-winning playwright whose 25 plays and musicals have spawned six Broadway productions and seven in London’s West End. His first trip to Broadway materialized when an English director friend passed along the play that would become Lend Me a Tenor to a “producer friend" you might have heard of: Andrew Lloyd Webber. He loved the play, and six months later, it opened in the West End. Not long after that, Tenor hopped across the pond to Broadway.

Referred to as "America’s preeminent comic playwright,” he’s received acclaim for his original works (Lend Me a Tenor, Leading Ladies) as well as his adaptations of literary classics like Treasure Island and The Three Musketeers. For a man of his talent, he’s exceedingly humble and not sensitive about his writing. In this podcast, he discusses his recent adaptation of Agatha Christie’s Murder on the Orient Express, which found him taking notes from the Queen of Mystery's grandson, “How would legendary Belgian detective Hercule Poirot deliver this line?” More highlights from Ludwig include the joy when great actors breathe life into his words, the seemingly daunting task of teaching children Shakespeare, how writing plays longhand gives a better connection to the material, and, as an author who’s penned stories about both Sherlock Holmes and Hercule Poirot, he gives his own take on who is the better detective.

1K is affiliated with the 100 Words Film Festival and powered by OrthoCarolina.

1K is hosted by Scott Galloway. Produced and edited by Jordan Snyder. Music composed by Jason Hausman. Recorded at Concentrix Music and Sound Design.

  continue reading

32 episodes

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