In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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#94: Tootsie (1982)
Manage episode 354542090 series 2373794
Content provided by Ashley Carr & Dave Wilson, Ashley Carr, and Dave Wilson. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ashley Carr & Dave Wilson, Ashley Carr, and Dave Wilson or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
We're back from our hiatus with an all-new deep dive into Dave's pick. This week we're talking about TOOTSIE (1982) and we have questions: Can someone who disguises himself as another type of person really understand what it's like to be that kind of person? And more importantly, did the screenwriters of Tootsie actually intend to convey a subtle message that indeed you can not understand what it is like to be a woman in a patriarchal society by disguising yourself as one? Is Michael Dorsey, a.k.a. Dorothy Michaels (Dustin Hoffman), actually an anti-hero here? And what was up with that ending? Justice for Sandy and Julie!
Subscribe on Spotify, Apple Podcasts, or Android.
Follow us on Facebook and Instagram and Twitter.
Visit our site: shutupwatchthis.wordpress.com
Send your feedback to shutupwatchthis@gmail.com
Please consider leaving a review or a star rating on iTunes, so other folks can find us.
© 2023 Ashley Carr & Dave Wilson
100 episodes
Share
Manage episode 354542090 series 2373794
Content provided by Ashley Carr & Dave Wilson, Ashley Carr, and Dave Wilson. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ashley Carr & Dave Wilson, Ashley Carr, and Dave Wilson or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
We're back from our hiatus with an all-new deep dive into Dave's pick. This week we're talking about TOOTSIE (1982) and we have questions: Can someone who disguises himself as another type of person really understand what it's like to be that kind of person? And more importantly, did the screenwriters of Tootsie actually intend to convey a subtle message that indeed you can not understand what it is like to be a woman in a patriarchal society by disguising yourself as one? Is Michael Dorsey, a.k.a. Dorothy Michaels (Dustin Hoffman), actually an anti-hero here? And what was up with that ending? Justice for Sandy and Julie!
Subscribe on Spotify, Apple Podcasts, or Android.
Follow us on Facebook and Instagram and Twitter.
Visit our site: shutupwatchthis.wordpress.com
Send your feedback to shutupwatchthis@gmail.com
Please consider leaving a review or a star rating on iTunes, so other folks can find us.
© 2023 Ashley Carr & Dave Wilson
100 episodes
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Similar to Shut Up and Watch This
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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