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Listening to Broadside Ballads from the 17th Century

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Manage episode 426575401 series 2248527
Content provided by Cassidy Cash. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cassidy Cash or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
When Shakespeare mentions ballads in his plays, he uses adjectives like odious and woeful, mentioning both the ballad makers in Coriolanus, and the people who sell them, known as the ballad mongers, in Henry IV Part 1. Shakespeare’s has over 20 references to ballads throughout his works, all of which tell us that these songs were written in ink, published by printers, and performed in songs that not only rhymed, but that could be just as merry as it was painful, particularly if the ballad was sung out of tune, as Cleopatra complains in Antony and Cleopatra. Here today to share with us some of the exact ballads that were popular for Shakespeare’s lifetime, as well as the history of how they were created, and performed, is our guests, and masterminds behind the 100 Ballads Project that seeks to recreate and preserve ballads from the 17th century, Angela McShane, Chris Marsh, and Andy Watts.

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220 episodes

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Manage episode 426575401 series 2248527
Content provided by Cassidy Cash. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cassidy Cash or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
When Shakespeare mentions ballads in his plays, he uses adjectives like odious and woeful, mentioning both the ballad makers in Coriolanus, and the people who sell them, known as the ballad mongers, in Henry IV Part 1. Shakespeare’s has over 20 references to ballads throughout his works, all of which tell us that these songs were written in ink, published by printers, and performed in songs that not only rhymed, but that could be just as merry as it was painful, particularly if the ballad was sung out of tune, as Cleopatra complains in Antony and Cleopatra. Here today to share with us some of the exact ballads that were popular for Shakespeare’s lifetime, as well as the history of how they were created, and performed, is our guests, and masterminds behind the 100 Ballads Project that seeks to recreate and preserve ballads from the 17th century, Angela McShane, Chris Marsh, and Andy Watts.

Get bonus episodes on Patreon


Hosted on Acast. See acast.com/privacy for more information.

  continue reading

220 episodes

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