The Art of Longevity Season 8, Episode 3: Metric

The Art of Longevity

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Metric has become one of those bands that have paved the way for independence, along with Aimee Mann, Chance The Rapper and the other self-releasing copyright owning pioneers. Their fifth album Synthetica (2012) as it turns out, is a favourite of the band’s front woman and main co-writer Emily Haines. Even though it didn’t reach the commercial heights predecessor Fantasies did, it was a mature and ambitious record, setting the tone for Metric’s accomplished and reliably strong catalogue.
It brings us to the band’s recent projects Formentera (2022) and this year’s sibling album Formentera II, neither of which miss a beat - not a weak track among the combined 18 songs. If consistency is what you’re after, Metric should be your new favourite band.
It was refreshing to hear that there was no particular logic to the selection and scheduling of both the Formentara albums - no grand design - just the sound of the band hitting their stride enough for a double album (even if it is released in two seperate packages).
“We had made a body of work and knew we had a double album. When we rejoined civilization after our Doomscroller tour, we thought this was the most fun way to release it. I’ve always envied the surprise release. So we announced on the one year anniversary of Formentera, there is a second album”.
This magnum opus came with other influences too, including the “impossible-made-possible” stylings of British filmmaker Terry Gilliam, in particular his 1985 cult masterpiece Brazil. Once you understand the connection between Formentera and Gilliam, you are reminded of a deep artistic sensibility behind Metric that sets this band apart. But what is Metric’s secret to making such consistently strong material?

“It’s terrifying to me that we don’t really know what we are doing. Everything we do from a sonic standpoint, to a visual, to lyrical themes…it all comes down to this feeling. All I know is that when I feel it I know it, and if I don’t, it will never see the light of day”.
No wonder Metric’s catalogue is such an entertaining ride.

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