In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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372 - Jason Padgitt, Executive Director of the Nashville Film Festival - Inside the World of Film Festival Programming, The Power of Music Docs, What Festival Selections Reveal about a Film, and Balancing Art, Industry and Integrity
Manage episode 410188867 series 2385348
Content provided by Chris Barkley & Nicholas Buggs, Chris Barkley, and Nicholas Buggs. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Chris Barkley & Nicholas Buggs, Chris Barkley, and Nicholas Buggs or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Hello, Hello!
In this episode, Chris has a conversation with Jason Padgitt, Executive Director of the Nashville Film Festival. They discuss Jason's role and responsibilities at NaFF, the film selection process, balancing industry and artistic interests, and the future of AI in filmmaking. Enjoy this insightful conversation about the inner workings of a major independent film festival.
We also talk about:
- Importance of music and music-based films to NaFF
- Balancing industry influence with artistic integrity in programming
- Role of technical quality versus storytelling in film selections
- Managing filmmaker expectations for a music-focused regional festival
- Trends in annual programming "points of view"
- Role of opening credits in assessing a film
- Potential for new "Best AI Film" categories in the future
Enjoy!
Indie Artist Spotlight
Artist: The Familiar
Track: Starry Eyes
Above the Arctic Circle during Norway’s season of darkness, a chance encounter between an American and a Norwegian spawned a transatlantic musical partnership called The Familiar. The duo of native New Yorker Ruth Mirsky and Tromsø-born producer Mads Martinsen is the northern lights meeting the skyscrapers of New York. "Starry Eyes" tells the story of a woman that knows the odds are stacked against her, but remains optimistic that if she follows her best instincts, satisfaction will arrive. A pebble starts a landslide right?
https://www.instagram.com/thefamiliarmusic/
https://www.tiktok.com/@thefamiliarmusic
Support this podcast at — https://redcircle.com/the-make-it-podcast/exclusive-content
Advertising Inquiries: https://redcircle.com/brands
Privacy & Opt-Out: https://redcircle.com/privacy
401 episodes
Share
Manage episode 410188867 series 2385348
Content provided by Chris Barkley & Nicholas Buggs, Chris Barkley, and Nicholas Buggs. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Chris Barkley & Nicholas Buggs, Chris Barkley, and Nicholas Buggs or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Hello, Hello!
In this episode, Chris has a conversation with Jason Padgitt, Executive Director of the Nashville Film Festival. They discuss Jason's role and responsibilities at NaFF, the film selection process, balancing industry and artistic interests, and the future of AI in filmmaking. Enjoy this insightful conversation about the inner workings of a major independent film festival.
We also talk about:
- Importance of music and music-based films to NaFF
- Balancing industry influence with artistic integrity in programming
- Role of technical quality versus storytelling in film selections
- Managing filmmaker expectations for a music-focused regional festival
- Trends in annual programming "points of view"
- Role of opening credits in assessing a film
- Potential for new "Best AI Film" categories in the future
Enjoy!
Indie Artist Spotlight
Artist: The Familiar
Track: Starry Eyes
Above the Arctic Circle during Norway’s season of darkness, a chance encounter between an American and a Norwegian spawned a transatlantic musical partnership called The Familiar. The duo of native New Yorker Ruth Mirsky and Tromsø-born producer Mads Martinsen is the northern lights meeting the skyscrapers of New York. "Starry Eyes" tells the story of a woman that knows the odds are stacked against her, but remains optimistic that if she follows her best instincts, satisfaction will arrive. A pebble starts a landslide right?
https://www.instagram.com/thefamiliarmusic/
https://www.tiktok.com/@thefamiliarmusic
Support this podcast at — https://redcircle.com/the-make-it-podcast/exclusive-content
Advertising Inquiries: https://redcircle.com/brands
Privacy & Opt-Out: https://redcircle.com/privacy
401 episodes
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Similar to The MAKE IT Podcast
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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…
continue reading
Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
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…
continue reading
The Flop House is a comedy podcast devoted to the worst in recent film. Your hosts (Elliott Kalan, Dan McCoy, and Stuart Wellington) watch a questionable film, then engage in an unscripted discussion about the movie's shortcomings and occasional delights, while never being afraid of a pointless, silly digression or two hundred.
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