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Ju Dou

1:11:17
 
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Archived series ("iTunes Redirect" status)

Replaced by: The Next Reel Film Podcast

When? This feed was archived on August 14, 2018 00:18 (6y ago). Last successful fetch was on August 12, 2018 04:08 (6y ago)

Why? iTunes Redirect status. The feed contained an iTunes new feed tag.

What now? If you were subscribed to this series when it was replaced, you will now be subscribed to the replacement series. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 172063039 series 89420
Content provided by The Next Reel Film Podcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Next Reel Film Podcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
"If they knew, they’d kill us."

The eighties were a period of turmoil and transition for the Chinese film industry. Other forms of entertainment were more popular and the authorities were concerned that films that had been popular, like martial arts films, were on the out. But a group of Chinese filmmakers, collectively known loosely as the Fifth Generation – with a push from the new Ministry of Radio, Cinema and Television – were about to change all that, helping Chinese cinema break onto the world stage. And Zhang Yimou was one of the ones leading the charge. But did the Chinese government expect the types of films they would be getting? Join us – Pete Wright and Andy Nelson – as we dig into Chinese cinema and kick off our Zhang Yimou series with his third film, Ju Dou.

We talk about the nature of the film and its story, and how it can be seen as not just a look at Chinese politics in the 20s but also as an allegory of the oppressive political system in China at the time. We look at what Zhang brought to the table with the film and where it fits in his life and career. We chat about Gong Li, Zhang’s muse, and what she and her fellow actors bring to the table. We discuss the incredible look of the film, both from cinematography and production design, and what all the various colors could possibly symbolize. And we gripe about the quality of the image and how much better it would look if Criterion would just take our advice and give this the full treatment – the film is gorgeous but you’d never know by looking at this terrible transfer.

It’s a touching, powerful film from a visual artist who uses both the script and his images to tell a provocative story, not to mention that it helped open the door for Chinese cinema to the world. We have a great time looking at it and discussing Ju Dou on this week’s show. Check it out!

Film Sundries Trailers of the Week
  • Andy's Trailer: My Life as a Zucchini — "There’s something magical about the animation quality of this film that really makes me connect to my youth. And while the world of life in a foster home isn’t something I ever knew, I certainly connect to the coming of age story of a young boy finding a kindred spirit in a new girl at the home. It has all the touching qualities that I loved so much in Wes Anderson’s Moonlight Kingdom and plenty of quirk to spare. I’m excited about this one."
  • Pete's Trailer: Punching Henry — "Man. I know creators go through swings. Jerks on the internet spew hate. Self-confidence wavers. I certainly try not to look at that stuff. But director Gregori Viens and writer Henry Phillips have given me a trailer that I feel pretty deeply connected to with Punching Henry. I can only hope the thing lives up to the heart of the trailer when it finally hits theaters and digital on February 21."
  continue reading

478 episodes

Artwork

Ju Dou

The Next Reel Film Podcast

published

iconShare
 

Archived series ("iTunes Redirect" status)

Replaced by: The Next Reel Film Podcast

When? This feed was archived on August 14, 2018 00:18 (6y ago). Last successful fetch was on August 12, 2018 04:08 (6y ago)

Why? iTunes Redirect status. The feed contained an iTunes new feed tag.

What now? If you were subscribed to this series when it was replaced, you will now be subscribed to the replacement series. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 172063039 series 89420
Content provided by The Next Reel Film Podcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Next Reel Film Podcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
"If they knew, they’d kill us."

The eighties were a period of turmoil and transition for the Chinese film industry. Other forms of entertainment were more popular and the authorities were concerned that films that had been popular, like martial arts films, were on the out. But a group of Chinese filmmakers, collectively known loosely as the Fifth Generation – with a push from the new Ministry of Radio, Cinema and Television – were about to change all that, helping Chinese cinema break onto the world stage. And Zhang Yimou was one of the ones leading the charge. But did the Chinese government expect the types of films they would be getting? Join us – Pete Wright and Andy Nelson – as we dig into Chinese cinema and kick off our Zhang Yimou series with his third film, Ju Dou.

We talk about the nature of the film and its story, and how it can be seen as not just a look at Chinese politics in the 20s but also as an allegory of the oppressive political system in China at the time. We look at what Zhang brought to the table with the film and where it fits in his life and career. We chat about Gong Li, Zhang’s muse, and what she and her fellow actors bring to the table. We discuss the incredible look of the film, both from cinematography and production design, and what all the various colors could possibly symbolize. And we gripe about the quality of the image and how much better it would look if Criterion would just take our advice and give this the full treatment – the film is gorgeous but you’d never know by looking at this terrible transfer.

It’s a touching, powerful film from a visual artist who uses both the script and his images to tell a provocative story, not to mention that it helped open the door for Chinese cinema to the world. We have a great time looking at it and discussing Ju Dou on this week’s show. Check it out!

Film Sundries Trailers of the Week
  • Andy's Trailer: My Life as a Zucchini — "There’s something magical about the animation quality of this film that really makes me connect to my youth. And while the world of life in a foster home isn’t something I ever knew, I certainly connect to the coming of age story of a young boy finding a kindred spirit in a new girl at the home. It has all the touching qualities that I loved so much in Wes Anderson’s Moonlight Kingdom and plenty of quirk to spare. I’m excited about this one."
  • Pete's Trailer: Punching Henry — "Man. I know creators go through swings. Jerks on the internet spew hate. Self-confidence wavers. I certainly try not to look at that stuff. But director Gregori Viens and writer Henry Phillips have given me a trailer that I feel pretty deeply connected to with Punching Henry. I can only hope the thing lives up to the heart of the trailer when it finally hits theaters and digital on February 21."
  continue reading

478 episodes

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