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Content provided by Bianca Marais, Carly Watters and CeCe Lyra, Bianca Marais, Carly Watters, and CeCe Lyra. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bianca Marais, Carly Watters and CeCe Lyra, Bianca Marais, Carly Watters, and CeCe Lyra or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
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Finding Your Voice

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Manage episode 392035825 series 2952214
Content provided by Bianca Marais, Carly Watters and CeCe Lyra, Bianca Marais, Carly Watters, and CeCe Lyra. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bianca Marais, Carly Watters and CeCe Lyra, Bianca Marais, Carly Watters, and CeCe Lyra or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In today's Books with Hooks, Bianca, Carly, and CeCe discuss an example of an excellent hook and query letter in general; the issues with beginning your novel with a cliched scene; the importance of emotional layers in interiority, especially with big, messy emotions; framing your query letter in a way that gives your protagonist more agency and 'protagonism', or that shows how a character's lack of agency pushes the plot forward; the problem with using self-published books as your comp titles; the difference between third person close POV and omniscient third person; and the difficulties with using an omniscient third person POV.

After which, Bianca chats with Estelle Erasmus about her book, Writing That Gets Noticed. They also discuss Estelle’s credentials and experience; writing essays and op-eds; finding your voice; writing your essays for yourself; literary fiction vs purple prose; finding your rhythm and syntax; asking yourself “so what?”; personal universal elements; and revealing vs concealing.

Find us on our socials:

Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra

Instagram: https://www.instagram.com/the_shit_about_writing/

https://www.instagram.com/biancamarais_author/

https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/

Facebook: https://www.facebook.com/TSNOTYAW

Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com

Bookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting

More information about Estelle can be found at https://estelleserasmus.com/. She’s on Twitter @EstelleSErasmus, Instagram @EstelleSErasmus, TikTok @EstelleSErasmus, and Facebook @Estelle.Sobel.Erasmus.


Our Sponsors:
* Check out Happy Mammoth and use my code TSNOTYAW for a great deal: happymammoth.com
* Check out Rosetta Stone and use my code TODAY for a great deal: www.rosettastone.com
Advertising Inquiries: https://redcircle.com/brands
  continue reading

262 episodes

Artwork
iconShare
 
Manage episode 392035825 series 2952214
Content provided by Bianca Marais, Carly Watters and CeCe Lyra, Bianca Marais, Carly Watters, and CeCe Lyra. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bianca Marais, Carly Watters and CeCe Lyra, Bianca Marais, Carly Watters, and CeCe Lyra or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In today's Books with Hooks, Bianca, Carly, and CeCe discuss an example of an excellent hook and query letter in general; the issues with beginning your novel with a cliched scene; the importance of emotional layers in interiority, especially with big, messy emotions; framing your query letter in a way that gives your protagonist more agency and 'protagonism', or that shows how a character's lack of agency pushes the plot forward; the problem with using self-published books as your comp titles; the difference between third person close POV and omniscient third person; and the difficulties with using an omniscient third person POV.

After which, Bianca chats with Estelle Erasmus about her book, Writing That Gets Noticed. They also discuss Estelle’s credentials and experience; writing essays and op-eds; finding your voice; writing your essays for yourself; literary fiction vs purple prose; finding your rhythm and syntax; asking yourself “so what?”; personal universal elements; and revealing vs concealing.

Find us on our socials:

Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra

Instagram: https://www.instagram.com/the_shit_about_writing/

https://www.instagram.com/biancamarais_author/

https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/

Facebook: https://www.facebook.com/TSNOTYAW

Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com

Bookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting

More information about Estelle can be found at https://estelleserasmus.com/. She’s on Twitter @EstelleSErasmus, Instagram @EstelleSErasmus, TikTok @EstelleSErasmus, and Facebook @Estelle.Sobel.Erasmus.


Our Sponsors:
* Check out Happy Mammoth and use my code TSNOTYAW for a great deal: happymammoth.com
* Check out Rosetta Stone and use my code TODAY for a great deal: www.rosettastone.com
Advertising Inquiries: https://redcircle.com/brands
  continue reading

262 episodes

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