Artwork

Content provided by Ben Model. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ben Model or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Player FM - Podcast App
Go offline with the Player FM app!

ep. 57: Recording silent film scores for Tom Mix and Rin Tin Tin

1:01:32
 
Share
 

Manage episode 366155577 series 63198
Content provided by Ben Model. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ben Model or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In this episode: Ben and Kerr discyss about Ben’s process for creating and recording silent film scores for home-video releases, and how it differs from scoring a silent in performance. Ben talks about composing by using the start-stop possibilities of recording in place of traditional notation, as well as using underscoring to help audiences register certain kinds of transitions or to grasp subtleties in the mood or intent of certain kinds of scenes. Recording examples includes segments from Tom Mix in “The Best Bad Man”, recently restored by the Museum of Modern Art,; Tom Mix in “Sky High”; newly restored by Undercrank Productions; and “Clash of the Wolves” starring Rin Tin Tin, newly restored by Kino Lorber, aired on TCM and also presented at the TCM Classic Film Festival.

Show notes for episode 57 can be found here.


  continue reading

72 episodes

Artwork
iconShare
 
Manage episode 366155577 series 63198
Content provided by Ben Model. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ben Model or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In this episode: Ben and Kerr discyss about Ben’s process for creating and recording silent film scores for home-video releases, and how it differs from scoring a silent in performance. Ben talks about composing by using the start-stop possibilities of recording in place of traditional notation, as well as using underscoring to help audiences register certain kinds of transitions or to grasp subtleties in the mood or intent of certain kinds of scenes. Recording examples includes segments from Tom Mix in “The Best Bad Man”, recently restored by the Museum of Modern Art,; Tom Mix in “Sky High”; newly restored by Undercrank Productions; and “Clash of the Wolves” starring Rin Tin Tin, newly restored by Kino Lorber, aired on TCM and also presented at the TCM Classic Film Festival.

Show notes for episode 57 can be found here.


  continue reading

72 episodes

All episodes

×
 
Loading …

Welcome to Player FM!

Player FM is scanning the web for high-quality podcasts for you to enjoy right now. It's the best podcast app and works on Android, iPhone, and the web. Signup to sync subscriptions across devices.

 

Quick Reference Guide