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Episode 121: Structure for Character-Driven or Literary Stories
Manage episode 206226476 series 2311886
In this episode, fiction editors Leslie Watts and Rachelle Ramirez critique “How I Stumbled into the Golden Cage,” a short story by Jose Arroyo. They discuss genre and how stories that emphasize the protagonist’s inner journey still need structure.
Writers of literary stories can use the steps in the Kubler-Ross grief process to plan and revise the structure of their stories and may find it’s a better fit than other systems suited to more active stories. Even if you’ve written a thriller or an action story, you can use the Kubler-Ross steps to follow your protagonist’s inner journey alongside whatever structure you use for the external events of the story.
One challenge writers face with character-driven stories is how to demonstrate the inner shifts the character experiences without over-relying on thoughts and telling. Leslie and Rachelle talk about ways to dramatize internal events to evoke certain emotions in your reader.
This week’s editorial mission encourages you to use the Kubler-Ross steps to check your protagonist’s internal journey and be sure the important events are present and adequately dramatized.
137 episodes
Manage episode 206226476 series 2311886
In this episode, fiction editors Leslie Watts and Rachelle Ramirez critique “How I Stumbled into the Golden Cage,” a short story by Jose Arroyo. They discuss genre and how stories that emphasize the protagonist’s inner journey still need structure.
Writers of literary stories can use the steps in the Kubler-Ross grief process to plan and revise the structure of their stories and may find it’s a better fit than other systems suited to more active stories. Even if you’ve written a thriller or an action story, you can use the Kubler-Ross steps to follow your protagonist’s inner journey alongside whatever structure you use for the external events of the story.
One challenge writers face with character-driven stories is how to demonstrate the inner shifts the character experiences without over-relying on thoughts and telling. Leslie and Rachelle talk about ways to dramatize internal events to evoke certain emotions in your reader.
This week’s editorial mission encourages you to use the Kubler-Ross steps to check your protagonist’s internal journey and be sure the important events are present and adequately dramatized.
137 episodes
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