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#204 “Rembrandt III”: Watching paint dry

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Manage episode 364321025 series 95106
Content provided by Tim Young and Tim and Paul. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Tim Young and Tim and Paul or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

As the broadcast of Batman season one drew to a close, a treatment called Rembrandt the Third Meets his Master was submitted by 31-year-old Yale M. Udoff, who would go on to some success, but was just getting started as a screenwriter. Udoff’s inexperience may account for many of the problems with this treatment: A villain, Rembrandt III, whose crimes and motivations are too creaky for a TV show, and who engages many elements that don’t fit the theme of “painting”; many bat-no-nos, including an armed-to-the-teeth Alfred and a somewhat vain, goofy Batman; and set pieces that were unfilmable in the pre-CGI days, at least on Greenway Productions’ budget. And a lot of elements that just don’t seem that interesting. But here and there, he gets it right. This time, we examine this treatment.

ALSO: The Marcus Hedges Trend Orchestra version of the theme, the final installment of Adam West talking with Conan O’Brien in 1997, and your mail on episode 202’s look at Batman ’66 in the UK.

Tim and Paul in The Comics Lair Episode 46: Comics & Nostalgia

Benny Hill "Batman" sketch

  continue reading

229 episodes

Artwork
iconShare
 
Manage episode 364321025 series 95106
Content provided by Tim Young and Tim and Paul. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Tim Young and Tim and Paul or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

As the broadcast of Batman season one drew to a close, a treatment called Rembrandt the Third Meets his Master was submitted by 31-year-old Yale M. Udoff, who would go on to some success, but was just getting started as a screenwriter. Udoff’s inexperience may account for many of the problems with this treatment: A villain, Rembrandt III, whose crimes and motivations are too creaky for a TV show, and who engages many elements that don’t fit the theme of “painting”; many bat-no-nos, including an armed-to-the-teeth Alfred and a somewhat vain, goofy Batman; and set pieces that were unfilmable in the pre-CGI days, at least on Greenway Productions’ budget. And a lot of elements that just don’t seem that interesting. But here and there, he gets it right. This time, we examine this treatment.

ALSO: The Marcus Hedges Trend Orchestra version of the theme, the final installment of Adam West talking with Conan O’Brien in 1997, and your mail on episode 202’s look at Batman ’66 in the UK.

Tim and Paul in The Comics Lair Episode 46: Comics & Nostalgia

Benny Hill "Batman" sketch

  continue reading

229 episodes

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