In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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July 2021 Cinema Podcast
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Manage episode 296518486 series 1603913
Content provided by Watershed Arts Trust Ltd. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Watershed Arts Trust Ltd or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In this month's podcast Mark Cosgrove (Watershed Cinema Curator) and Adam Murray (film programmer, critic, writer and broadcaster) look forward to Watershed's Cinema Rediscovered festival at the end of July – a celebration and re-framing of cinema's rich 125 year history.They share the strands and films they can't wait to bring to the big screen – screening in some cases for the first time in decades, if not ever in the UK.Mark's highlights include 1971: The Year Hollywood Went Independent, a programme of films exploring the essential contribution that women made to The New Hollywood era; when outsiders, independents and mavericks were welcomed into the mainstream. Plus the amazing background to The Story of a Three-Day Pass – a nouvelle vague infused film by young Black American Melvin Van Peebles made in Paris, never released in the UK and now restored to its former glory.Adam looks forward to Blue Collar, an uncompromising tale set in Detroit of three-working men; starring Yaphet Kotto as Smokey James alongside double trouble Richard Pryor and Harvey Keitel. Released in 1978 Adam discusses the extraordinary performances exploring race, unions and working class masculinity; and surely one of the greatest, grimy, opening scenes and soundtracks in a film ever.Finally Adam looks forward to launching his Bristol Black Horror Club at the festival with a screening of The Beast Must Die – a fun, camp, werewolf thrill-ride with a great soundtrack and a Black actor in a multi-dimensional lead role.
…
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209 episodes
MP3•Episode home
Manage episode 296518486 series 1603913
Content provided by Watershed Arts Trust Ltd. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Watershed Arts Trust Ltd or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In this month's podcast Mark Cosgrove (Watershed Cinema Curator) and Adam Murray (film programmer, critic, writer and broadcaster) look forward to Watershed's Cinema Rediscovered festival at the end of July – a celebration and re-framing of cinema's rich 125 year history.They share the strands and films they can't wait to bring to the big screen – screening in some cases for the first time in decades, if not ever in the UK.Mark's highlights include 1971: The Year Hollywood Went Independent, a programme of films exploring the essential contribution that women made to The New Hollywood era; when outsiders, independents and mavericks were welcomed into the mainstream. Plus the amazing background to The Story of a Three-Day Pass – a nouvelle vague infused film by young Black American Melvin Van Peebles made in Paris, never released in the UK and now restored to its former glory.Adam looks forward to Blue Collar, an uncompromising tale set in Detroit of three-working men; starring Yaphet Kotto as Smokey James alongside double trouble Richard Pryor and Harvey Keitel. Released in 1978 Adam discusses the extraordinary performances exploring race, unions and working class masculinity; and surely one of the greatest, grimy, opening scenes and soundtracks in a film ever.Finally Adam looks forward to launching his Bristol Black Horror Club at the festival with a screening of The Beast Must Die – a fun, camp, werewolf thrill-ride with a great soundtrack and a Black actor in a multi-dimensional lead role.
…
continue reading
209 episodes
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