What It REALLY Means to Make Progress Editing Your Novel

Your Next Draft

#Books #Arts #Alice Sudlow #Podcasting Education

40:34

We’ve turned intuition into a buzzword—flattened it into a slogan, a gut feeling, or a vague whisper we don’t always know how to hear. But what if intuition is so much more? What if it's one of the most powerful tools we have—and we’ve just forgotten how to use it? In this episode, I’m joined by Hrund Gunnsteinsdóttir , Icelandic thought leader, filmmaker, and author of InnSæi: Icelandic Wisdom for Turbulent Times . Hrund has spent over 20 years studying and teaching the science and art of intuition through her TED Talk, Netflix documentary (InnSæi: The Power of Intuition), and global work on leadership, innovation, and inner knowing. Together, we explore what intuition really is (hint: not woo-woo), how to cultivate it in a culture obsessed with logic and overthinking, and why your ability to listen to yourself might be the most essential skill you can develop. In This Episode, We Cover: ✅ Why we’ve misunderstood intuition—and how to reclaim it ✅ Practical ways to strengthen your intuitive muscle ✅ What Icelandic wisdom teaches us about inner knowing ✅ How to use intuition during uncertainty and decision-making ✅ Why trusting yourself is an act of rebellion (and power) Intuition isn’t magic—it’s a deep, internal guidance system that already exists inside you. The question is: are you listening? Connect with Hrund: Website: www.hrundgunnsteinsdottir.com TedTalk: https://www.ted.com/talks/hrund_gunnsteinsdottir_listen_to_your_intuition_it_can_help_you_navigate_the_future?utm_campaign=tedspread&utm_medium=referral&utm_source=tedcomshare Newsletter: https://hrundgunnsteinsdottir.com/blog/ LI: www.linkedin.com/in/hrundgunnsteinsdottir IG: https://www.instagram.com/hrundgunnsteinsdottir/ Book: InnSæi: Icelandic Wisdom for Turbulent Times Related Podcast Episodes: How To Breathe: Breathwork, Intuition and Flow State with Francesca Sipma | 267 VI4P - Know Who You Are (Chapter 4) Gentleness: Cultivating Compassion for Yourself and Others with Courtney Carver | 282 Share the Love: If you found this episode insightful, please share it with a friend, tag us on social media, and leave a review on your favorite podcast platform! 🔗 Subscribe & Review: Apple Podcasts | Spotify | Amazon Music Learn more about your ad choices. Visit megaphone.fm/adchoices…

about a year ago 18:21

MP3•Episode home

Editing progress doesn’t always look like you’d expect. Here’s how to recognize it.
If your editing is going great, you’ll enjoy this episode. Honestly, though, if editing feels like the worst thing in the world right now, you’ll love this episode even more.
Here’s what’s in store: How do you know whether you’re really making progress editing your novel?
In the episode, you’ll learn:

Why editing progress does NOT look like what you might expect
What counts as editing progress
The two things that DON’T count as progress
And more!

If you’re feeling stuck, stagnant, or overwhelmed, don’t miss this episode.
I hope it gives you just the boost you need to start this year of writing and editing strong.
One more thing: This year, I’m moving Your Next Draft to a biweekly podcasting schedule. Rather than sharing a new episode every week, I’ll have a new episode every other week.
I’m making this shift to allow me to spend more time with my editing clients. You’ll still get to hear from me on the podcast! I’ll still be sharing the same actionable editing content designed to help you navigate your own novel editing process.
It’ll just be every other week rather than every week.
To hear more about this shift, check out the episode.
Links mentioned in the episode:

Join my email list for weekly editing tips: alicesudlow.com/sceneworksheet
Join my waitlist and be the first to know about my openings for new editing clients: alicesudlow.com/waitlist

Send me a Text Message!

Support the show

Rate, Review, & Follow on Apple Podcasts

"I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here, scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode!

Loving the show? Show your support with a monthly contribution »

86 episodes

Your Next Draft

What It REALLY Means to Make Progress Editing Your Novel

Your Next Draft

published about a year ago

MP3•Episode home

Why editing progress does NOT look like what you might expect
What counts as editing progress
The two things that DON’T count as progress
And more!

Join my email list for weekly editing tips: alicesudlow.com/sceneworksheet
Join my waitlist and be the first to know about my openings for new editing clients: alicesudlow.com/waitlist

Send me a Text Message!

Support the show

Rate, Review, & Follow on Apple Podcasts

Loving the show? Show your support with a monthly contribution »

86 episodes

#Books #Arts #Alice Sudlow #Podcasting Education

All episodes

Your Next Draft

1
Inciting Incident: How to Revise an Unputdownable Beginning 25:53

2 days ago25:53

25:53

Your inciting incident sets the stage for everything that follows. Here's what to revise so it can carry the story. A great inciting incident does a lot of heavy lifting. → It hooks your readers, pulling them into the story. → And it sets up everything to come, laying the foundation for a brilliant climax your readers will love. The beginning matters . Which means there’s a lot of pressure to get it right. But what does right actually mean? How do you start a story well? That’s what I’m tackling in this episode. I’m going beyond the definition of the inciting incident to share what I as an editor am looking for when I edit inciting incidents. In other words, if you’ve written an inciting incident and aren’t sure how to tell if it works, this episode is your guide to edit it. You’ll hear: How I define the inciting incident Where in the story the inciting incident appears (and how to tell if it’s too early or too late) The 7 qualities I’m watching for when I edit an inciting incident The 4 common inciting incident traps I see writers fall into (including one that’s really hard to spot, and yet it can tank the whole story) And more Plus, I’ve gathered it all into a one-page cheat sheet you can reference every time you edit an inciting incident. Print it out and keep it in your writing space for easy access. If you’ve ever found the advice to “make sure your story has an inciting incident” unsatisfactory, this episode is for you. Don’t just make sure your story has an inciting incident. Use this episode to revise it until it’s good . Great. Unputdownable, even. Links mentioned in the episode: Get the Inciting Incident Revision Cheat Sheet: alicesudlow.com/85 Work with me: alicesudlow.com/contact Ep. 27: Value Shifts: How to Craft Compelling Change in Every Story Send me a Text Message! Support the show Rate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here , scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »…

Your Next Draft

1
What If You Do Everything Right and the Book Launch Still Goes Wrong? with A.S. King 50:33

16 days ago50:33

50:33

“It really broke my heart, actually. . . . For the rest of my life, it will break my heart.” A.S. King gets honest about what happened when the publishing industry failed her book. What happens after you edit your book? What happens after you’ve bared the story of your heart, crafted it into an excellent novel, and presented it to the world? What happens when you get traditionally published, when you receive awards and accolades, and when it looks like you’ve won the author career lottery? Last month, I brought author A.S. King on the podcast to share how she revises award-winning novels—complex, intense, surrealist, mind-bending stories meant to challenge her readers to think. But that wasn’t the end of the conversation. In fact, it wasn’t even the start . The conversation began months earlier, when I heard the story of her book launch for her latest novel. I won’t spoil the ending here, but I will say: it did not go how she expected. So today, I’m bringing Amy back on the podcast to tell us her publishing story and give us a glimpse of what comes after all the writing and all the revising. You’ll hear: What really happened during A.S. King’s latest book launch How a publisher’s big promises fell through—and what that meant for the book Why even revising an excellent novel doesn’t guarantee industry support What it feels like when the book of your heart gets treated like just another product How gender, genre, and power shape what gets promoted (and what doesn’t) What it takes to keep going when publishing knocks you off course And more It’s a peek into traditional publishing—and a reality check on what the industry feels like from the inside, even for an award-winning author in her prime. And above all, it’s a reminder of what really matters when it comes to measuring your book’s success. Links Mentioned in the Episode: Share your thoughts about this conversation in the comments here Order a signed copy of Pick the Lock from Aaron’s Books Hear more about A.S. King’s book launch in this conversation on the #AmWriting podcast Hear how A.S. King revised Pick the Lock in this conversation on Your Next Draft Send me a Text Message! Support the show Rate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here , scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »…

Your Next Draft

1
Think You Need a Line Editor? Try This First 27:44

4 weeks ago27:44

27:44

Do you need to hire a line editor? Or should you line edit your manuscript yourself? After all, you want to write an excellent novel. You know that great writing takes shape in revision, and you don’t want to skimp on any layers of editing. Nor do you want to overestimate your writing skills and leave your book littered with clunky sentences that a wordsmithing line editor could polish into shining brilliance. On the other hand, you also don’t want to mess up your editing process or your manuscript by getting the editing phases wrong. You don’t want to hire the wrong people at the wrong time and reduce the efficiency of your edits by getting them out of order. You don’t want to waste money you don’t need to spend on professional editing you don’t actually need. And you definitely don’t want to make your manuscript worse by getting feedback that doesn’t match your vision. So: do you need to hire a line editor? Well, maybe. Or maybe not. In this episode, I’m breaking down what line editing is, what line editors do, and what your book and your editing process truly need. You’ll hear: What great line editors can do The risk of working with a line editor The key that makes great line editing possible How to find your best line editor And more Whether you hire a line editor or line edit your novel yourself, the principles I share in today’s episode will help you ensure every word you choose is the right one for your story and your voice. Links mentioned in the episode: See my sample developmental and line editing feedback: alicesudlow.com/83 Discover Story Clarity and Story Refinery Send me a Text Message! Support the show Rate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here , scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »…

Your Next Draft

1
How Surrealist Pantser A.S. King Revises Award-Winning Novels 1:29:34

6 weeks ago1:29:34

1:29:34

“Revising is about making sure that you're saying what you want to say in the way you want to say it. . . . To me, revision is the sport. It's the impact. It's the reason we're writers.” Have you ever read a book and thought, Holy cow, this is amazing. How did this author DO this? Or, maybe you’ve read a book and thought, Wow, I wish I could write (or in my case, edit) a book like this, but this is incredible and it might be beyond me? Well, that’s how I feel when I read an A.S. King novel. She’s an impressively decorated author of novels for middle grade, teens, and adults. She’s the only author to win the Printz award for young adult literature twice —and that’s just two of many, many accolades. She writes brilliant stories that are surrealist and puzzling and weird , and at the same time beautiful and heartfelt and honest and real. And when I heard that she loves revision, I knew I had to bring her to Your Next Draft and ask her: how does she do it? How does she manage to craft such intricately plotted, complex stories? How does she innovate so much on a technical level, and keep me hooked on a brilliant story all the way through? How does she turn her completely pantsed first drafts into award-winning novels—and then hit it out of the park again, and again, and again? So I was thrilled when A.S. King agreed to join me on the podcast and spill all the details of her revision process. In our conversation, she shares: Her five-draft revision process How she cuts 20% from her first draft (she uses the word “chainsaw” 😳) What it’s like to get feedback from her editor at her publishing house What she does with feedback she disagrees with The time when adding 14 sentences was the key that made a novel work The difference between taking your readers on a picnic and telling them a story And so much more Plus, I’ve created a revision reading list to pair with this conversation so you can see A.S. King’s specific editorial choices at work in her novels. A.S. King is an absolute gem of a human as well as a brilliant writer. I hope you enjoy our conversation as much as I did. P.S. My very favorite part of our conversation begins at 1 hr 21 min. Here’s a sneak peek: “In the end, it is all about your voice and your experiences and your feelings. That's it. It's all writing is.” Links mentioned in the episode: Get your A.S. King Revision Reading List: alicesudlow.com/82 Find Amy on her website , Instagram , and Bluesky Order signed copies of Pick the Lock and all her books from Aaron’s Books Check ou Send me a Text Message! Support the show Rate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here , scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »…

Your Next Draft

1
The Editor Life: 5 Days Behind the Scenes with Alice 46:54

8 weeks ago46:54

46:54

Ever wondered what an editor actually does all day? What it looks like to spend all day supporting writers in their stories? Or what your editor’s doing in all that time when they’re not sharing their feedback with you? If those questions pique your curiosity, you’re in luck. I’m pulling back the curtain to share a week in my life as a developmental editor and book coach. You’ll get a behind-the-scenes look at what I do with writers and what I’m working on when I’m not on calls giving feedback. Plus, I’ll share all the best editing strategies, tips, and tricks that emerge as I dig into stories with writers this week. You’ll hear: How I use what we know about a story to solve for what we don’t know Whether it’s okay to “tell,” not just “show,” a character’s emotions How your character’s emotional intelligence impacts how your reader feels A simple way to track the emotional tension in your story How I draw out every last drop of meaning and emotion to make scenes unputdownable What it means to be “done” editing your book I love my job and can’t imagine spending my days any other way. I hope you enjoy this peek at what it really looks like to be an editor and book coach! Links mentioned in the episode: Want to work with me in Story Clarity and Story Refinery? Tell me about your story » Get a boost of editing joy in your inbox every Tuesday. Join the newsletter » Further Listening: Ep. 32: How Spider-Man (And All Great Stories) Makes Us Laugh, Cry, and Feel the Feels Ep. 42: The 6 Essential Elements of Every Novel, Act, and Scene A week in the life of another editor and book coach: A Week in the Life: 5 Days Behind the Scenes with Savannah Send me a Text Message! Support the show Rate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here , scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »…

Your Next Draft

1
How to Use Revision Tools Like the Story Authority You Already Are with Brannan Sirratt 57:36

10 weeks ago57:36

57:36

When to use frameworks to solve your story problems—and when to trust yourself and lean on your own story authority. You’ve heard of Save the Cat! Story Grid. Blueprint for a Book. These are all frameworks designed to help you edit a novel. If you don’t know these names, I bet you know others—Hero’s Journey, Freytag’s Pyramid, 7 Point Story Structure, Dan Harmon’s Story Circle, there are dozens more. Each one promises that if you use it, you’ll be able to craft better stories. And because we want to write good books, the writers I know are constantly learning new frameworks and analyzing their stories through them. I use frameworks like these in the editing process, after the first draft is already written. But I’ve seen many writers use them earlier, even before they begin writing. It’s a tempting thought, right? What if you could use these frameworks to solve your story problems and make writing your first draft so much easier? What if you could build a story from the ground up that already fulfills everything those frameworks require from the very first draft? Would that shortcut the creative process? Would it help you create a better story faster? Or would it get in the way of your storytelling? Are there moments in the creative process when frameworks like these might just do more harm than good? I’m a big fan of storytelling frameworks. But today, we’re taking a hard look at them to see what they offer, what they can’t do for us, and how to tap into your true authority as the writer of your own story. Links mentioned in the episode: Find B is for Book Coach on Substack » Further listening: Ep. 79: Ask This Question When You’re Overwhelmed by Your Story B is for Book Coach: How to Take the Drama Out of Cutting and Rewriting Content B is for Book Coach: Comparison Isn't a Thief Send me a Text Message! Support the show Rate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here , scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »…

Your Next Draft

1
Ask This Question When You’re Overwhelmed by Your Story 22:49

12 weeks ago22:49

22:49

Escape analysis paralysis with one powerful question. It’s deceptively simple—and yet it unlocks everything. If you’re like most of the writers I work with, you’re pretty savvy about story structure. You know your Story Grid, your Save the Cat!, your Hero’s Journey. You’ve probably analyzed your story six ways to Sunday, and you’ve got the spreadsheets and outlines and diagrams and graphs to prove it. And all that analysis has leveled up your story significantly. You’ve solved major structural problems by applying your extensive knowledge of story theory. But I also bet there are still some issues nagging at you. Issues that you still can’t crack, no matter how many times you map every act and arc in your story on a spreadsheet. In fact, if you’re still spreadsheeting your story by this point, you’re probably starting to spin out a little. You’ve analyzed and analyzed and analyzed again, and now all that story structure that was supposed to make revising your story clear and straightforward has turned against you, leaving you overwhelmed and lost. What if you could break through all that overwhelm and find your footing in your story again? What if you could snap out of analysis paralysis and reconnect with your characters and the inspiration that compelled you to write in the first place? And what if you could do all of that by asking just one deceptively simple question? You can, I promise. And in this episode, I’ll show you how. Links mentioned in the episode: Get the question that unlocks everything in a printable format: alicesudlow.com/79 Go deeper in character development: How to Flesh Out Flat Characters With Just 4 Questions Go deeper in my favorite story structure: The 6 Essential Elements of Every Novel, Act, and Scene Send me a Text Message! Support the show Rate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here , scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »…

Your Next Draft

1
How Multiple Layers of Editing Combine to Perfect Your Story (with Cathryn deVries and Kim Kessler) 1:32:05

14 weeks ago1:32:05

1:32:05

The best novels combine rock-solid story structure with scenes that are unputdownable on every page. Here’s how one writer and two editors polished a story at every level. If you want to move your reader in every moment, keep them hooked on every page, you need to refine your scenes until each one is unputdownable. And that refinement? It’s SUCH a joy. It’s my favorite thing to do and it will transform your entire story. But in order to make every scene matter, you first need to make sure you have all the right scenes in all the right places. The big-picture story structure can’t be kinda-sorta-maybe working. It needs to be locked in, watertight. Otherwise, all those beautiful scenes won’t build to anything. They might be pretty on their own. But they won’t create compelling narrative drive, an irresistible build to the cathartic payoff your readers can’t get enough of. So how do you do it? How do you get your macro storytelling crystal clear and refine every scene into its most powerful form? In this episode, I want to share with you the story of how one writer did just that. You’ll hear how Cathryn leveraged multiple revision passes to transform her manuscript from a massive pile of words that made her cringe to a story she’s immeasurably proud of. It’s also a tale of two editors—because Cathryn worked with both me and my colleague Kim to make her story shine on every level. Most of all, it’s a story of mastering two storytelling skills—the micro and the macro—and all the story magic you can unlock when you do. Links mentioned in the episode: Read Cathryn’s stories » Join Kim’s Novel Hotline Live » Work with Kim and me together » Further listening: Ep. 76: Scene Workshop: Hook Your Readers in Chapter One with Cathryn deVries Ep. 42: The 6 Essential Elements of Every Novel, Act, and Scene Ep. 60: The Most Joyful Editing Feedback I Ever Give Send me a Text Message! Support the show Rate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here , scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »…

Your Next Draft

1
What Is a Manuscript Evaluation? (And Do You Need One?) 32:34

16 weeks ago32:34

32:34

It’s the most common developmental editing service you’ll see. Know what to look for and when (or if) you need one. If you google “developmental editor” and start looking through editors’ websites, you’ll see a common service appear again and again: A manuscript evaluation. (Or assessment, or diagnostic, or critique. A rose by any other name, etc.) Typically, in a manuscript evaluation, an editor will offer to read your manuscript and tell you what’s working and what to focus on next to make it even better. It sounds like the dream, right? Someone who will read the book you’ve spent months and months writing, tell you what they think of it, and give you a to-do list. And manuscript evaluations sell like hotcakes because what they’re offering is exactly what writers want. Or at least— what writers think they want. But when you don’t know what you really need , you risk wasting hundreds or thousands of dollars on a service that leaves you disappointed, stuck in the same spot, or even feeling false confidence that your story’s problems have all been solved when they’re not . What if you don’t need someone else’s to-do list for your story? What if you have access to all the evaluation you need right now , without paying a single cent? And if you don’t need someone else’s to-do list, what do you need instead? In this episode, I’m giving you a crash course on manuscript evaluations. You’ll hear: What they are, When they work, Why they go wrong , And the rare occasion when I will agree to do one. Here’s the thing: there are no regulations in the author services industry. That means it’s up to YOU to vet every professional you work with. I’m equipping you with everything you need to know to make the most of manuscript evaluations—or find the service you need instead. Links mentioned in the episode: See what I do inside Story Clarity ( instead of doing manuscript evaluations) Hear author John Green read from editor Julie Strauss-Gabel’s editorial letter for The Fault in Our Stars Send me a Text Message! Support the show Rate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here , scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »…

Your Next Draft

1
Scene Workshop: Hook Your Readers in Chapter One with Cathryn deVries 1:38:37

18 weeks ago1:38:37

1:38:37

You get one shot to grab their attention. Don’t waste it with characters staring off into space. You've put all this work into uncovering your character's internal arc. You know them SO WELL. When you step into a scene, you're giving your absolute all to uncovering the deep meaning and purpose behind it, the profound arc of character transformation that's happening in even the smallest moments. Yet in doing all that . . . you've lost the plot. You've crafted complex inner worlds for your characters, but all they're literally doing is staring off into space. And you're worried that in the times when you most want to hook your readers—like your absolutely critical opening pages—you're boring them instead. Bored readers put books down. So what do you do? Throw in some discord and explosions to create external chaos? Cut the scene and start the story at a different point entirely? Or is there a way to use what you know of your character's internal arc to find the perfect external action that will hook your readers and keep them turning pages? This is exactly the challenge Cathryn deVries encountered in the first chapter of her novel. So we workshopped it together—and in this episode, you'll hear how we solved it, and how you can hook your readers, too. Links mentioned in the episode: Notes to Novel with Savannah Gilbo Read Cathryn’s scene: alicesudlow.com/76 Read When a Slave Falls , Cathryn’s award-winning short story Read Lightning Hunter , a story set in the same world as the scene we workshopped Find Cathryn on her website , Facebook , Instagram , and LinkedIn Send me a Text Message! Support the show Rate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here , scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »…

Your Next Draft

1
The Unskippable Process to Create Unputdownable Books 25:57

20 weeks ago25:57

25:57

It’s unpopular, but essential if you’re aiming to craft your best work. Picture this: one year from now, you’re holding your book in your hands. You see the gorgeous cover art, feel the slight resistance when you open the cover for the first time, run your hands over the soft, smooth paper, flip the pages and smell that delicious new book smell. Does that sound amazing? Holding your book in your hands just one year from now? Being done soon is so tempting. But just being done soon won’t lead to a book you’re proud of, a book you love , a book that accomplishes everything you know it can be. Does it sound amazing to imagine holding your book in your hands six months from now . . . and still not feel creatively fulfilled? To flip the pages and know that there’s more you could still fix? To skim the lines and cringe just a little? To picture the glorious story vivid in your imagination and wonder what your readers will miss because you couldn’t quite capture it on the page? No, that doesn’t sound delightful? I didn’t think so. The book world is filled with services promising to help you finish your book fast . If your dream is to hold your book in your hands this year, there are tons of people out there who can help you make that happen. But after years of helping writers who seek to craft their very best books, the ones they’re truly proud of, I’ve found that speed is not what you need to get there. In this episode, I’ll show you: What the true work of revising a novel really is, Why trying to speed through it will actually hold you back, And what to do instead—so that when you finish, the book you share with the world is one you’re immeasurably proud of. It’s not the popular path. But it’s the only path I know to craft the books you’re truly capable of writing. Links mentioned in the episode: Edit your novel with me: alicesudlow.com/contact See if I’m the right editor for your book: alicesudlow.com/waitlist Send me a Text Message! Support the show Rate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here , scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »…

Your Next Draft

1
How to Edit Your Novel When Disaster Strikes 17:28

39 weeks ago17:28

17:28

Your book is important. But sometimes, worthy interruptions will delay it for a while. For the last few months, this podcast feed has been quiet. It went dark with no notice in mid-June. I didn’t mean to disappear on you. In fact, I didn’t plan to pause the podcast at all. But a family emergency struck, and all my best-laid plans for summer 2024 changed in a matter of hours. This summer, I learned what it takes to edit when your world is in crisis. Happily, for me and my family, the crisis is over. But emergencies are bound to happen to everyone at some point. And so in today’s episode, I’m sharing my best advice for you and your editing should a crisis come to you. In it, you’ll hear: What in the world happened to the podcast (and me) this summer, 5 tips for editing when you’re in crisis mode, And what you’ll hear on Your Next Draft this fall. I hope you don’t need these tips for a long time. But if you do find your world falling apart around you, I hope these tips help you find a way forward for your story and yourself. Links mentioned in the episode: When the crisis hit, I couldn’t keep up with the podcast, but I did share updates with my email newsletter subscribers. Want to get all the episodes of Your Next Draft, plus editing tips that you won’t hear on the podcast? Subscribe to my newsletter: alicesudlow.com/sceneworksheet Send me a Text Message! Support the show Rate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here , scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »…

Your Next Draft

1
How Taylor Jenkins Reid Crafts an Exceptional Opening Scene 30:24

49 weeks ago30:24

30:24

Your reader experiences your story one scene at a time. Make every scene un-put-down-able. Great stories are made of great scenes. Sure, your novel has a clever plot with twists and turns from the first page to the last. But the way your readers will experience that plot is . . . . . . one scene at a time. Which means if you want your readers to fall in love with your novel, you need to captivate them with scenes they can’t put down. How do you do it? I’ll show you in this episode. I’m analyzing a scene from The Seven Husbands of Evelyn Hugo to show you how and why it works— —and how you can create the same magic with your own scenes. You’ll learn: The timeless structure behind this modern scene How every single detail in the scene enhances that structure What Taylor Jenkins Reid shares through exposition—and what she leaves out How to draw inspiration from this scene to craft an exceptional scene of your own And more! This episode is a sneak peek inside my upcoming Scene Mastery Workshop . In fact, this is the first scene we’ll study in the workshop. Then, we’ll dig into seven more scenes from other great novels. So if you enjoy this episode, you’ll love the workshop. Want to master editing scenes this summer? Click here to get all the details and apply » Links mentioned in the episode: Apply to join the Scene Mastery Workshop: alicesudlow.com/workshop Ep. 27: Value Shifts: How to Craft Compelling Change in Every Story Ep. 42: The 6 Essential Elements of Every Novel, Act, and Scene Send me a Text Message! Support the show Rate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here , scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »…

Your Next Draft

1
2 “Showing” and "Telling" Ways to Convey Time Passing in Your Novel 16:34

51 weeks ago16:34

16:34

Show and tell your readers why time matters to your characters. Time matters. When you look up and it’s dark outside, time matters to you. When your characters look around and summer is turning into fall, time matters to them. When your readers are reading a novel and they can’t figure out how time is passing? Well, time matters to them, too—mostly because they’re confused. In this episode, I’m sharing two ways to make time matter to your readers the way it matters to your characters . That is, how to make time matter because it impacts your characters’ lives . (And not because your readers can’t get a grip on what’s happening in your story.) You’ll learn: How to blend showing and telling (it’s a spectrum, not a binary) 2 techniques to convey time passing using showing and telling How to choose which calendars to use in your story And more! Your readers want to understand why time matters to your characters. Show and tell them, and they’ll feel it passing just as your characters do. Links mentioned in this episode: Ep. 70: Why You Must Show Time Passing in Your Novel Ep. 71: 3 “Telling” Ways to Convey Time Passing in Your Novel Send me a Text Message! Support the show Rate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here , scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »…

Your Next Draft

1
3 “Telling” Ways to Convey Time Passing in Your Novel 27:30

1 year ago27:30