Determining if all these so called classic films are indeed just that.
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1953: Time Flies in TOKYO STORY
Manage episode 355256116 series 2865408
Content provided by Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Ranking No. 4 on the British Film Institute's recently released Greatest Films of All Time poll was director Yasujirō Ozu's "Tokyo Story" (1953), which plays as a meditation on time and generational divides, set during a parents' trip to Tokyo to visit their adult children.
In this episode, Mike and Brian discuss Ozu's visual approach and whether or not a film can be shot "objectively;" they talk pre- and post-war sensibilities; growing apart; trauma-bonding; and the disapointments that come with being stuck in transitional periods of familial or cultural change.
Want to choose an movie for a future episode? BECOME A PATRON.
Agree or disagree with our takes? EMAIL bestpicturethis@gmail.com.
130 episodes
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Manage episode 355256116 series 2865408
Content provided by Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Ranking No. 4 on the British Film Institute's recently released Greatest Films of All Time poll was director Yasujirō Ozu's "Tokyo Story" (1953), which plays as a meditation on time and generational divides, set during a parents' trip to Tokyo to visit their adult children.
In this episode, Mike and Brian discuss Ozu's visual approach and whether or not a film can be shot "objectively;" they talk pre- and post-war sensibilities; growing apart; trauma-bonding; and the disapointments that come with being stuck in transitional periods of familial or cultural change.
Want to choose an movie for a future episode? BECOME A PATRON.
Agree or disagree with our takes? EMAIL bestpicturethis@gmail.com.
130 episodes
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Similar to Best Picture This
Determining if all these so called classic films are indeed just that.
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