In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Madame Web
Manage episode 421076963 series 2790890
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This week, James, Jerah, and Jon are covering Madame Web, directed by S.J. Clarkson, written by Matt Sazama, Burk Sharpless, Claire Parker, and S.J. Clarkson, story by Kerem Sanga, Matt Sazama, and Burke Sharpless, starring Dakota Johnson, Sydney Sweeney, Isabela Merced, Celeste O'Connor, Tahar Rahim, Mike Epps, Emma Roberts, and Adam Scott. Together, they cover what Madame Web means re: movies being back, what the choice to set the film in 2003 ultimately does for the plot, what we do and don't know about the spider-people, how much of the film takes place in a cab, if it's the worst superhero movie, and much, much more!
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Manage episode 421076963 series 2790890
Content provided by Black Men Can't Jump [In Hollywood]. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Black Men Can't Jump [In Hollywood] or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This week, James, Jerah, and Jon are covering Madame Web, directed by S.J. Clarkson, written by Matt Sazama, Burk Sharpless, Claire Parker, and S.J. Clarkson, story by Kerem Sanga, Matt Sazama, and Burke Sharpless, starring Dakota Johnson, Sydney Sweeney, Isabela Merced, Celeste O'Connor, Tahar Rahim, Mike Epps, Emma Roberts, and Adam Scott. Together, they cover what Madame Web means re: movies being back, what the choice to set the film in 2003 ultimately does for the plot, what we do and don't know about the spider-people, how much of the film takes place in a cab, if it's the worst superhero movie, and much, much more!
SUBSCRIBE TO EXCLUSIVE CONTENT AND OUR BACK CATALOG OF 400+ EPISODES:
https://app.redcircle.com/shows/7655b7ec-dc57-47c9-ab96-1a8fa02f6573/exclusive-content
JOIN OUR PATREON:
FOLLOW BLACK MEN CAN'T JUMP [IN HOLLYWOOD]:
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BUY BLACK MEN CAN'T JUMP [IN HOLLYWOOD] MERCH:
https://www.teepublic.com/stores/black-men-can-t-jump-in-hollywood
Produced by Skyler Hanrath
Our Sponsors:
* Check out Earnin and use my code Jump for a great deal: www.earnin.com
Support this podcast at — https://redcircle.com/black-men-cant-jump-in-hollywood/exclusive-content
Advertising Inquiries: https://redcircle.com/brands
Privacy & Opt-Out: https://redcircle.com/privacy
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Similar to Black Men Can't Jump [In Hollywood]
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
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continue reading
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continue reading
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continue reading
Early in his career, the renaissance man, Premium Pete pioneered the podcasting industry as co-host of the iconic hip-hop program, The Combat Jack Show. In addition to producing podcasts for several major brands such as State Farm & HBO. Premium Pete created his own outlet with The Premium Pete Show. Having a respected voice and being an influential entrepreneur, it only made sense for the goodfella to provide a platform for his guests to tell their stories. Internets! The Premium Pete Show ...
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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