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Interview with Thatcher Freeman

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Manage episode 430337990 series 3588032
Content provided by Paul Hanrahan. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Paul Hanrahan or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In this episode, I'll be talking to Thatcher Freeman. He's a California-based colorist and software engineer. For his day job, he's an actual AI specialist. He's made great contributions to the color grading and software coding communities. He's also a filmmaker, so I wanted to talk to him to find out what makes him tick.

We discuss:
- Thatcher's background in film making.
- The difficulties on finding resources on color theory.
- Current industry trends.
- A colorist's value.
- The combination of art and technology.
- Freelance pressures.
- Subtle vs Pushed graded.
- Things that break the signal.
- Personal taste in films and watching as a professional.
- Thatcher's DCTL library.
- Advice for DCTL coding.
- Current Research.

Check out www.patreon.com/ColorMentor/ for colorist training.

★ Support this podcast on Patreon ★
  continue reading

3 episodes

Artwork
iconShare
 
Manage episode 430337990 series 3588032
Content provided by Paul Hanrahan. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Paul Hanrahan or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In this episode, I'll be talking to Thatcher Freeman. He's a California-based colorist and software engineer. For his day job, he's an actual AI specialist. He's made great contributions to the color grading and software coding communities. He's also a filmmaker, so I wanted to talk to him to find out what makes him tick.

We discuss:
- Thatcher's background in film making.
- The difficulties on finding resources on color theory.
- Current industry trends.
- A colorist's value.
- The combination of art and technology.
- Freelance pressures.
- Subtle vs Pushed graded.
- Things that break the signal.
- Personal taste in films and watching as a professional.
- Thatcher's DCTL library.
- Advice for DCTL coding.
- Current Research.

Check out www.patreon.com/ColorMentor/ for colorist training.

★ Support this podcast on Patreon ★
  continue reading

3 episodes

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