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Criterion Reflections – Episode 105 – Godard 66/67
Manage episode 302768450 series 1644288
Content provided by David Blakeslee. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by David Blakeslee or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Criterion Reflections is David Blakeslee’s ongoing project to watch all of the films included in the Criterion Collection in chronological order of their original release. This fourth season of the podcast features conversations about movies that originally premiered in 1972 and were destined to eventually receive the Criterion imprimatur. In this episode, David departs his usual format to begin an exploration into films directed by Jean-Luc Godard as he transitioned from his nouvelle vague era in 1966-67 into the didactic political cinema he created in collaboration with Jean-Pierre Gorin as part of the Dziga Vertov Group between 1968-1971 – all this as a prologue to his upcoming discussion of Godard and Gorin’s 1972 film Tout va bien and Letter to Jane. For this conversation, David is joined by Jon Laubinger to discuss Made in U.S.A., 2 or 3 Things I Know About Her, La Chinoise and Weekend.
Jean-Luc Godard
Made in U.S.A.
2 or 3 Things I Know About Her
La Chinoise
Weekend
PREVIOUSLY:
WHAT HAVE YOU DONE TO SOLANGE?
UP NEXT:
GODARD 68/71
MORE!
- Criterion Reflections blog (1922 – 1967)
- Criterion Reflections columns on CriterionCast (1968)
- The Eclipse Viewer
- A Journey Through the Eclipse Series
CONTACT US:
- David Blakeslee [ Website / TikTok / Facebook / Letterboxd / Instagram/ Twitter ]
- Jon Laubinger [ Letterboxd / Website ]
58 episodes
Share
Manage episode 302768450 series 1644288
Content provided by David Blakeslee. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by David Blakeslee or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Criterion Reflections is David Blakeslee’s ongoing project to watch all of the films included in the Criterion Collection in chronological order of their original release. This fourth season of the podcast features conversations about movies that originally premiered in 1972 and were destined to eventually receive the Criterion imprimatur. In this episode, David departs his usual format to begin an exploration into films directed by Jean-Luc Godard as he transitioned from his nouvelle vague era in 1966-67 into the didactic political cinema he created in collaboration with Jean-Pierre Gorin as part of the Dziga Vertov Group between 1968-1971 – all this as a prologue to his upcoming discussion of Godard and Gorin’s 1972 film Tout va bien and Letter to Jane. For this conversation, David is joined by Jon Laubinger to discuss Made in U.S.A., 2 or 3 Things I Know About Her, La Chinoise and Weekend.
Jean-Luc Godard
Made in U.S.A.
2 or 3 Things I Know About Her
La Chinoise
Weekend
PREVIOUSLY:
WHAT HAVE YOU DONE TO SOLANGE?
UP NEXT:
GODARD 68/71
MORE!
- Criterion Reflections blog (1922 – 1967)
- Criterion Reflections columns on CriterionCast (1968)
- The Eclipse Viewer
- A Journey Through the Eclipse Series
CONTACT US:
- David Blakeslee [ Website / TikTok / Facebook / Letterboxd / Instagram/ Twitter ]
- Jon Laubinger [ Letterboxd / Website ]
58 episodes
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Similar to Criterion Reflections
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
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continue reading
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…
continue reading
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…
continue reading
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continue reading
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continue reading
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continue reading
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