Frame By Frame podcast

#Gadgets #Tech #Film #New #York #Sound #Soundtrack #Picture #Cinema #Fine Arts #Arts #Post New York Alliance #NewYork #Edition #Classical #Interviews #Editors

1:00:36

Do you have fond childhood memories of summer camp? For a chance at $250,000, campers must compete in a series of summer camp-themed challenges to prove that they are unbeatable, unhateable, and unbreakable. Host Chris Burns is joined by the multi-talented comedian Dana Moon to recap the first five episodes of season one of Battle Camp . Plus, Quori-Tyler (aka QT) joins the podcast to dish on the camp gossip, team dynamics, and the Watson to her Sherlock Holmes. Leave us a voice message at www.speakpipe.com/WeHaveTheReceipts Text us at (929) 487-3621 DM Chris @FatCarrieBradshaw on Instagram Follow We Have The Receipts wherever you listen, so you never miss an episode. Listen to more from Netflix Podcasts.…

Frame By Frame

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Frame By Frame is a podcast series hosted by editor and producer Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance. Produced by Isabel Sadurni.

36 episodes

Frame By Frame

updated about a year ago

Series home•Feed

36 episodes

#Gadgets #Tech #Film #New #York #Sound #Soundtrack #Picture #Cinema #Fine Arts #Arts #Post New York Alliance #NewYork #Edition #Classical #Interviews #Editors

All episodes

1
FXF1001- WARREN BEATTY AND JONATHAN DEMME- Craig McKay, Tom Fleischman, Chris Newman, Deborah Wallach, Ron Bochar, Phil Stockton

1 year ago

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PLAY PODCAST FXF1001- WARREN BEATTY AND JONATHAN DEMME- Craig McKay, Tom Fleischman, Chris Newman, Deborah Wallach, Ron Bochar, Phil Stockton Picture editor, Craig McKay and Re-recording mixer Tom Fleischman talk about early influences getting started in the New York film industry of the 1960’s and 70’s as well as their work on the film by Warren Beatty, Reds. Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild . Produced By Isabel Sadurni and Ben Baker.…

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FXF_S05EP05 THE FAREWELL with MICHAEL TAYLOR, MATT FRIEDMAN, ALEX WESTON and GENE PARK

5 years ago

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FXF0504 THE FAREWELL with MICHAEL TAYLOR, MATT FRIEDMAN, ALEX WESTON and GENE PARK Lulu Wang's breakout hit THE FAREWELL is a story about a young Chinese-American woman and her family who travel to China to say goodbye to her grandmother without letting her know that she is dying. In this episode NY-based picture editor Michael Taylor, sound editor and re recording mixer Gene Park and composer Alex Weston and LA-based picture editor, Matt Friedman talk about the surprises they encountered in crafting this award-winning independent feature. We welcome your comments and suggestions -- write us atframebyframe@postnewyork.org or share your comments via iTunes Frame By Frame is a podcast series hosted, produced and edited by Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Frame By Frame is proudly presented by Post New York Alliance and supported by the Academy of Motion Picture Arts and Sciences Oral History Project. Stay tuned for the upcoming episode of Frame By Frame with the team behind the APOLLO 11.…

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FXF_S05EP04 INNOVATIONS IN POST - THE NEXT FRONTIER - GEMINI MAN with Tim Squyres, Derek Schweickart, Jennifer Lane and Andrew Leven

5 years ago

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FXF_S06EP01 INNOVATIONS IN POST - THE NEXT FRONTIER - GEMINI MAN with Tim Squyres, Derek Schweickart, Jennifer Lane and Andrew Leven As movie-going audiences choose more often to view their entertainment on the smaller screens of home theaters, tablets and phones, movies like GEMINI MAN directed by Ang Lee and shot in 4K resolution, at 120 frames per second, for 3-D projection are intentionally built to create a hyper real immersive experience that will incentivize audiences to experience films on a big screen in a large theater with a crowd and participate in vital communal catharsis. For the filmmakers, the choice to work in this format was on almost every level a technological experiment. For the post-production team especially, the format became a valuable testing ground for every aspect of media exchange along the pipeline. In this episode, I sat down with GEMINI MAN’s Picture editor, Tim Squyres, 3D Digital Intermediate Supervisor, Derek Schweickart , First Assistant Editor, Andrew Leven and Associate Producer and Post-Production Supervisor, Jennifer Lane to talk about why this pioneering format required that they construct their own mobile lab to process the media and how they believe the format ultimately supports better storytelling. Frame By Frame is presented by Post New York Alliance because it’s how you finish that counts. This episode marks the beginning of a new series exploring innovations in post-production and the vanguard film professionals in New York that are leading the way. We welcome your comments and suggestions -- write us atframebyframe@postnewyork.org or share your comments via iTunes. Frame By Frame is a podcast series hosted, produced and edited by Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Frame By Frame is proudly presented by Post New York Alliance and supported by the Academy of Motion Picture Arts and Sciences Oral History Project. Stay tuned for the upcoming episode of Frame By Frame with the team behind the APOLLO 11.…

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FXF_S05EP03: THE RISE OF NEW QUEER CINEMA: JOHN CAMERON MITCHELL, BRIAN KATES, JOHN BAIR, BEN CHEAH

6 years ago

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PLAY PODCAST John Cameron Mitchell’s longtime collaborators, picture editor, Brian Kates, sound editor, Ben Cheah and his Animator and Visual Effects Supervisor John Bair, joined Mitchell in conversation about the the origins and the evolution of their work together. John Cameron Mitchell, Ben Cheah and John Bair joined us via Voice-over IP. When John Cameron Mitchell landed in the downtown art, theater and music scene in New York City in the 1980's any imaginary border that separated an independent filmmakers sensibility from making punk rock music was arbitrary in that his first major creative work, the eventual Broadway hit musical Hedwig and The Angry Inch was born from a DIY collaboration between himself, lyricist and composer, Stephen Trask and other musicians and actors that , true to the NewYork fighting spirit had created beauty and art out of a sense of anger and alienation of era. Later , the filmic adaptation of Hedwig was recognized as part of the wave of late 90’s queer independent American cinema alongside the work of filmmakers like Gus Van Sant Ira Sachs and Todd Haynes. . Each of his Three subsequent films, Shortbus, Rabbithole and How To Talk To Girls at Parties also invited us to fearlessly travel into uncharted territories. His most recent project, Anthem: Homunculus, a musical podcast series for the digital age tells a story about a man crowdfunding his survival. What’s consistent throughout every project is that it cultivates a cross-pollination of artists representing different groups all the while emphasizing compatibility and compassion between performers, their worlds and the audiences themselves.…

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FXFS01EP02- SCORSESE on TV_Vinyl, Boardwalk Empire: Kate Sanford and Tim Streeto

6 years ago

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PLAY PODCAST FXFS01EP02- SCORSESE on TV_Vinyl, Boardwalk Empire: Kate Sanford and Tim Streeto Television and feature film editors Kate Sanford (The Wire, The Deuce) and Tim Streeto (The Squid and the Whale, Greenberg) describe their process in developing the hit series Boardwalk Empire with Martin Scorsese, Tim Van Patten and Terry Winter as well as how they worked together with Martin Scorsese, Terry Winter and Mick Jagger to create Season 1 of Vinyl. Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild . Produced By Isabel Sadurni and Ben Baker.…

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FXFS01EP03_ANG_LEE_Tim Squyres and Phil Stockton

6 years ago

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FXFS01EP03_ANG_LEE_Tim Squyres and Phil Stockton PLAY PODCAST In Episode 4, picture editor Tim Squyres and sound editor, Phil Stockton share stories from collaborating together for over 20 years working with film directors such as Martin Scorsese, Ang Lee, Robert Altman, the Coen Brothers, Jonathan Demme and Spike Lee and how advances in technology have encouraged a merging of their roles. Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild . Produced By Isabel Sadurni and Ben Baker.…

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FXF_S01EP04_SIDNEY LUMET_THE_VERDICT: Maurice Schell, Lee Dichter, Peter Frank

6 years ago

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PLAY PODCAST FXF_S01EP04_SIDNEY LUMET_THE_VERDICT: Maurice Schell, Lee Dichter, Peter Frank Sound editor, Maurice Schell ( Gimme Shelter, Serpico, The Missouri Breaks,Apocalypse Now, All That Jazz, Melvin and Howard, Reds, Scarface ) , re-recording mixer,Lee Dichter, ( Grey Gardens, Sophie’s Choice, Hannah and Her Sisters, Miller’s Crossing, The Civil War ) and picture editor Peter Frank, ( The Verdict, Cadillac Records, Dirty Dancing ) share stories about coming up in the 1960's 70's and 80's in the New York film industry and their collaboration onSidney Lumet’s The Verdict. Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild . Produced by Isabel Sadurni and Ben Baker.…

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FXF_S02EP01_JIM JARMUSCH_PT1 Jay Rabinowitz, Chic Ciccolini, Dominick Tavella

6 years ago

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PLAY PODCAST FXF_S02EP01_JIM JARMUSCH_PT1 Jay Rabinowitz, Chic Ciccolini, Dominick Tavella In the first episode of Frame By Frame Season 2, picture editor, Jay Rabinowitz, sound editor, Chic Ciccolini and re-recording mixer, Dominick Tavella talk about their craft and process in collaborating with filmmaker Jim Jarmusch on his films from the 1980’s and 90’s Coffee and Cigarettes, Night On Earth, and Ghost Dog. Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild . Produced by Isabel Sadurni and Ben Baker.…

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FXF0106-2 THE SOUND ONE ERA: FAMILY

6 years ago

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PLAY PODCAST In the late 1960’s and early 70’s, years before Sound One had established itself as one of the most successful and highly respected sound facilities on the East Coast, it was a solo operation. Elisha Birnbaum, a sound editor and foley artist who had recently emigrated from Israel, worked with a small team but quickly developed a reputation for creating a highly productive, family atmosphere filled with astonishing creativity, quality product and quick turnaround time that attracted both the established and uninitiated to work at his studio. At its apex of productivity Sound One would take in 85% of all post-production work in New York City and would help launch the careers of both post production professionals and filmmakers like The Coen Brothers, Spike Lee, Alan Pakula, Michael Moore and Ken Burns among others. Here staff and clients share stories about the personal bonds and animal spirit that helped define the dynamics at work at Sound and how they created what has come to be known as the Sound One Family. From 1968 to 2012, Sound One grew from a solo operation to becoming the most successful post-production sound and editing facility on the East Coast. At its apex, Sound One inhabited five floors of the famed Brill Building housed 150 edit suites and over 300 clients and staff at its apex and commanded 85% of post-production business in New York. As its reputation grew, it became the go to post-production home for such filmmakers as Sidney Lumet, Arthur Penn, George Roy Hill, Jonathan Demme, Woody Allen and Martin Scorsese and through its constant support of independents, helped launch the careers of filmmakers like the Alan Pakula, Spike Lee, The Coen Brothers, M. Night Shyamalan, Michael Moore, Ken Burns and countless post-production professionals and helped post-produce some of cinemas most influential works. Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild . Produced By Isabel Sadurni, Shari Johanson and Ben Baker.…

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FXF0106-3 THE SOUND ONE ERA: TRIBUTE TO BILL NISSELSON AND SYBIL BROWN

6 years ago

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PLAY PODCAST Bill Nisselson was often described as the heart of Sound One. As managing Director from 1979-2001, Bill, alongside co-founder Elisha Birnbaum, set the tone of interaction, organized the deals and orchestrated the cross-traffic of post-production work between staff and clients which at its apex commanded 6 floors in the Brill Building and took in over 85% of the post-production film business in New York. Not far from Bill’s office Sybil Brown, the receptionist from 1985-2005, offered a warm welcome, fresh flowers and the uncanny ability to locate people by phone in crucial moments and also stood as essential to the heartbeat of the Sound One experience. In this episode, staff and clients remember their interactions with Bill Nisselson, and Sybil Brown and share their stories about how both Bill and Sybil played a dominant role not only in shaping the working environment of Sound One, but also in shaping peoples lives. Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild . Produced By Isabel Sadurni, Shari Johanson and Ben Baker.…

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FXF0106-04 THE SOUND ONE ERA: A DAY IN THE HALLWAYS

6 years ago

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PLAY PODCAST Walking down the hallways and riding the elevators of Sound One’s Brill Building at 1619 Broadway at 49th St could instantly offer exposure to the major leagues of the New York film industry. At the very best, it could offer an introduction towards working with some of the most important, upcoming and established filmmakers, actors and musicians working in the New York at the time. In this segment, former staff and clients of the Sound One community share stories of walking down the hallways and riding the elevators at Sound One, depicting how and why Sound One came to represent the center of the New York film universe. From 1968 to 2012, Sound One grew from a solo operation to becoming the most successful post-production sound and editing facility on the East Coast. At its apex, Sound One inhabited five floors of the famed Brill Building housed 150 edit suites and over 300 clients and staff at its apex and commanded 85% of post-production business in New York. As its reputation grew, it became the go to post-production home for such filmmakers as Sidney Lumet, Arthur Penn, George Roy Hill, Jonathan Demme, Woody Allen and Martin Scorsese and through its constant support of independents, helped launch the careers of filmmakers like the Alan Pakula, Spike Lee, The Coen Brothers, M. Night Shyamalan, Michael Moore, Ken Burns and countless post-production professionals and helped post-produce some of cinemas most influential works. Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild . Produced By Isabel Sadurni, Shari Johanson and Ben Baker.…

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FXF0106-5 THE SOUND ONE ERA : THE FOLEY ARTIST

6 years ago

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PLAY PODCAST Elisha Birnbaum, co-founder of Sound One, is considered one of the best NY foley artists of his generation. His stage looked like a suburban garage or basement or attic with various surfaces on the floor and, shelves filled with props used to create sounds. You would often meet Elisha walking around the hallways of Sound One in cut off jean shorts, and womens high heels, which he wore when foleying the sound of womens footsteps. Here, staff and clients retell stories of working with Elisha and others at Sound One in recognizing the creative genius behind Elisha’s work and the role of the foley artist. From 1968 to 2012, Sound One grew from a solo operation to becoming the most successful post-production sound and editing facility on the East Coast. At its apex, Sound One inhabited five floors of the famed Brill Building housed 150 edit suites and over 300 clients and staff at its apex and commanded 85% of post-production business in New York. As its reputation grew, it became the go to post-production home for such filmmakers as Sidney Lumet, Arthur Penn, George Roy Hill, Jonathan Demme, Woody Allen and Martin Scorsese and through its constant support of independents, helped launch the careers of filmmakers like the Alan Pakula, Spike Lee, The Coen Brothers, M. Night Shyamalan, Michael Moore, Ken Burns and countless post-production professionals and helped post-produce some of cinemas most influential works. Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild . Produced By Isabel Sadurni, Shari Johanson and Ben Baker.…

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FXF_S05EP02: FREE SOLO with CHAI VASARHELYI, DEBORAH WALLACH, BOB EISENHARDT, TOM FLEISCHMAN and RIC SCHNUPP

6 years ago

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PLAY PODCAST Director and producer, Chai Vasarhelyi, Picture Editor Bob Eisenhardt, Sound Supervisor Deborah Wallach and Re-recording Mixers Tom Fleischman and Ric Schnupp FREE SOLO describe the unforeseeable obstacles in making FREE SOLO and offers insight in how they crafted this Oscar and BAFTA winning film to become the longest running documentary of 2018. We welcome your comments and suggestions -- write us at framebyframe@postnewyork.org or share your comments via iTunes Frame By Frame is a podcast series hosted, produced and edited by Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Frame By Frame is proudly presented by Post New York Alliance and supported by the Academy of Motion Picture Arts and Sciences Oral History Project.…

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FXF_S05EP01: THE MARVELOUS MRS. MAISEL:KATE SANFORD AND TIM STREETO

6 years ago

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PLAY PODCAST Picture editors Kate Sanford and Tim Streeto talk about their work on the Emmy and Golden Globe award winning series now in its third season. We welcome your comments and suggestions -- write us at framebyframe@postnewyork.org or share your comments via iTunes Frame By Frame is a podcast series hosted, produced and edited by Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Frame By Frame is proudly presented by Post New York Alliance and supported by the Academy of Motion Picture Arts and Sciences Oral History Project. Stay tuned for the upcoming episode of Frame By Frame with the team behind the Oscar winning documentary FREE SOLO.…

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FXF_S04EP06: VICE NEWS' CHARLOTTESVILLE: RACE AND TERROR, The Team Behind The Most Watched News Doc in History: TIM CLANCY, JOHN CHIMPLES, DENNY THOMAS, CAMERON DENNIS

6 years ago

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FXF_S04EP06: VICE NEWS' CHARLOTTESVILLE: RACE AND TERROR, The Team Behind The Most Watched News Doc in History: TIM CLANCY, JOHN CHIMPLES, DENNY THOMAS and CAMERON DENNIS PLAY PODCAST VICE News tonight’s Charlottesville: Race and Terror began as an idea for a five-minute piece that producer and reporter Ellie Reeve pitched a few days before the Unite the Right Rally scheduled to take place on a mid-August weekend in, 2017. The half-hour program broadcast on VICE on HBO that Monday, August 14th received over 65 million views within the first week and garnered an Emmy, ACE Eddy, and Peabody for the post-production team. In this episode of Frame By Frame talks with Executive Producer and Editor Tim Clancy, Post Production Supervisor, Mike Morrison, Picture editors, John, Chimples, Cameron Dennis, and Denny Thomas about how the episode came together in less than 30 hours. We welcome your comments and suggestions -- write us at framebyframe@postnewyork.org or share your comments via iTunes Frame By Frame is a podcast series hosted, produced, and edited by Isabel Sadurni, that introduces you to the most influential, respected, and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process, and technique, we’ll recognize and celebrate the iconic films and people who have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Frame By Frame is proudly presented by Post New York Alliance and supported by the Academy of Motion Picture Arts and Sciences Oral History Project. Stay tuned for upcoming episodes of Frame By Frame with the editors of THE MARVELOUS MRS. MAISEL.…

Frame By Frame

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FXF_S04EP05: BOB FOSSE: ALAN HEIM, LEE DICHTER, DAN SABLE, MEL ZELNICKER

6 years ago

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FXF4005: BOB FOSSE: ALAN HEIM, LEE DICHTER, DAN SABLE, MEL ZELNICKER PLAY PODCAST Picture editor Alan Heim, sound editor Dan Sable, re-recording mixer Lee Dichter and ADR Supervisor Mel Zelnicker got together at New York's technicolor Postworks to share stories of their collaborations on films such as Lenny, All That Jazz and Star80 with 8-time Tony award, Oscar and Emmy award winning choreographer and director, Bob Fosse. You can share this conversation through our website bit.do/framebyframe—or viaTwitter at @postny. You can also find us on iTunes- search Frame By Frame and click on the orange icon. We welcome your comments and suggestions -- write us at framebyframe@postnewyork.org . Frame By Frame is expanding to include snapshot conversations spotlighting bold new voices in New York filmmaking called Generation Next. Listen for upcoming mini-episodes. Frame By Frame is a podcast series hosted, produced and edited by Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Frame By Frame is proudly presented by Post New York Alliance. Stay tuned for upcoming episodes of Frame By Frame with the editors and Post Supervisor for VICE's groundbreaking Charlottesville documentary.…

Frame By Frame

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FXF_S04EP04 : SPIKE LEE: BARRY ALEXANDER BROWN, TOM FLEISCHMAN, PHIL STOCKTON, JUDY ALEY

7 years ago

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FXF_S04EP04 : SPIKE LEE: BARRY ALEXANDER BROWN, TOM FLEISCHMAN, PHIL STOCKTON, JUDY ALEY PLAY PODCAST Picture editor Barry Alexander Brown, sound editor, Phil Stockton. researcher Judy Aley and re-recording Mixer Tom Fleischman have worked with filmmaker Spike Lee on such films as She’s Gotta Have It, School Daze, 25h Hour, Inside Man, Malcolm X and most recently BlacKKKlansman. In this episode we talked with them about how they first began working with Spike Lee, their collaborative process and the cinematic breakthroughs they’ve made together in making films together for over 30 years. You can share this conversation through our website bit.do/framebyframe—or viaTwitter at @postny. You can also find us on iTunes- search Frame By Frame and click on the orange icon. We welcome your comments and suggestions -- write us at framebyframe@postnewyork.org . This session was recorded at Soundtrack in New York City. The sound engineer was Kristin Coutogna. Frame By Frame is expanding to include short interviews spotlighting bold new voices in New York filmmaking the New York in snapshot conversations called Generation Next. Listen for upcoming mini-episodes. Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Frame By Frame is proudly presented by Post New York Alliance. Stay tuned for upcoming episodes of Frame By Frame with the collaborators of Bob Fosse.…

Frame By Frame

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FXF_S04EP03 : RON HOWARD: MIKE HILL, CHIC CICCOLINI, TOM FLEISCHMAN, BOB CHEFALAS

7 years ago

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FXF_S04EP03 : RON HOWARD: MIKE HILL, CHIC CICCOLINI, TOM FLEISCHMAN, BOB CHEFALAS PLAY PODCAST In the late 1970's, when Mike Hill was coming up as a picture editor through the ranks for Paramount studio projects in Los Angeles in New York, Chic Ciccolini, Tom Fleischman and Bob Chafalas were working steadily as sound editor and re-recording mixers respectively in New York studios. They all came together working on the films of Ron Howard. Originally from Oklahoma and popularly recognized for his earlier work as an actor in the television series, The Andy Griffith Show and Happy Days, Ron Howard worked his way into becoming a successful filmmaker beginning in the late 1970's. His films such as Splash, Apollo13, A Beautiful Mind. Cinderella Man and more recently Solo: A Star Wars Story have been some of the industries most popular films. In this episode of Frame By Frame, you’ll meet the collaborators of Ron Howard including picture editor Mike Hill, Supervising Sound editor, Chic Ciccolini and re-recording mixers, Bob Chefalas and Tom Fleischman. talking about their work on films such as Night Shift, Gung Ho, Far and Away, Apollo13, A Beautiful Mind and Cinderella Man. This session was recorded at Soundtrack in New York City. The sound engineer was Kristin Coutogna.…

Frame By Frame

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FXF_S04EP02:MIRA NAIR: ALLYSON JOHNSON, BARRY BROWN, DOMINICK TAVELLA, JENNIFER DUNNINGTON, DAVID PATTERSON, TONY MARTINEZ, DAVID SMITH

7 years ago

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FXF_S04EP02:MIRA NAIR: ALLYSON JOHNSON, BARRY BROWN, DOMINICK TAVELLA, JENNIFER DUNNINGTON, DAVID PATTERSON, TONY MARTINEZ, DAVID SMITH PLAY PODCAST In this episode of Frame By Frame, picture editors Barry Brown and Allyson Johnson, re-recording mixer, Dominick Tavella, supervising sound editor, Dave Paterson, dialogue and ADR editor Tony Martinez, Music editor, Jen Dunnington and Assistant Editor David A Smith talk about their work with Mira Nair on both documentaries and scripted features including India Cabaret, Salaam Bombay!,Monsoon Wedding, Vanity Fair, Kama Sutra, The Reluctant Fundamentalist and The Queen of Katwe over the past 40 years. Filmmaker Mira Nair who splits her time between New York, Kampala and New Delhi creates complex worlds of color and sound where modernity often meets with tradition. The same complexity is reflected in the diverse talents she surrounds herself with in her New York-based post production family. Picture Editor Barry Brown started things off by talking about how he met Mira as a first-time editor for her documentary India Cabaret. You can share this conversation through our website bit.do /framebyframe—or via Twitter at @postny. You can also find us on itunes- search Frame By Frame and click on the orange icon. We welcome your comments and suggestions -- write us at framebyframe@postnewyork.org. This session was recorded at Parabolic in New York City. The sound engineer was Vinny Alfano Stay tuned for upcoming episodes of Frame By Frame with the collaborators of Ron Howard and Spike Lee. Frame By Frame is expanding to include short interviews spotlighting bold new voices in New York filmmaking the New York in snapshot conversations called Generation Next. Listen for upcoming mini-episodes. Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Frame By Frame is proudly presented by Post New York Alliance.…

Frame By Frame

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FXF4001 GEORGE ROY HILL: Steve Rotter, Craig McKay, Lee Dichter, Tom Fleischman, Bruce Winant, Michael Jacobi

7 years ago

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PLAY PODCAST FXF4001 GEORGE ROY HILL: Steve Rotter, Craig McKay, Lee Dichter, Tom Fleischman, Bruce Winant, Michael Jacobi Best known for the films Butch Cassidy and the Sundance Kid, The Sting and Slaughterhouse Five, theater, television and film director, George Roy Hill was one of the most successful filmmakers of his generation. T he collaborators of George Roy Hill including picture editors Craig McKay and Steve Rotter, ADR Supervisor Mel Zelnicker and Michael Jacobi, re-recording mixers Tom Fleishman and, Lee Dichter and ADR Voice Casting Director and actor, Bruce Winant came together to talk about their work together on The Sting, Slaughterhouse Five, The World According to Garp and Funny Farm . Hill came to filmmaking at age 40 having enjoyed an early life studying theater and music at Yale and Trinity college, flying as a wartime pilot in WWII and Korea and working an actor then director in theater and television. In the theater, Hill, worked mainly as director for Broadway dramas. It was his exceptional talent there that got him invited to join a handful of director working on the hugely popular television show, Playhouse 90. In 1969 Hill’s film Butch Cassidy And The Sundance Kid was to become one of the five biggest money-earners of its decade. Slaughterhouse Five in 1972 taken from Kurt Vonnegut's won the Jury Prize at the Cannes Film Festival and The Sting in 1973 won the best director and best picture Oscars. Today’s podcast recording was engineered at Soundtrack - New York by Tyler Newhouse. Frame By Frame is produced by Isabel Sadurni. The music credits for this episode include selections from Glenn Goulds performance of Bach’s The Goldberg Variations from the soundtrack to Slaughterhouse Five and Burt Bacharach’s Raindrops Keep Fallin’ On My Head from the Soundtrack to Butch Cassidy and The Sundance Kid Stay tuned for upcoming episodes of Frame By Frame with the collaborators of Mira Nair and Spike Lee. You can share this conversation through our website bit.do /framebyframe—or via Twitter at @postny. You can write us at framebyframe@postnewyork.org. This session was recorded at Soundtrack in New York City. Today’s podcast recording was engineered by Tyler Newhouse. Frame By Frame is expanding to include short interviews spotlighting up and coming new york post professionals talking about their collaborations with bold new filmmakers in snapshot conversations called Generation Next. Listen for upcoming mini-episodes inserted within the larger podcasts soon. We welcome your suggestions - write to us at framebyframe@postnewyorkalliance.org Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance.…

Frame By Frame

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GENERATION NEXT EP001: MARIELLE HELLER AND ANNE McCABE

7 years ago

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GENERATION NEXT EP001: MARIELLE HELLER AND ANNE McCABE PLAY PODCAST Post New York Alliance's Generation Next spotlights bold new work by emerging New York filmmakers and post-professionals. In this first episode, director, screenwriter and playwright Marielle Heller talks in conversation with picture editor, Anne McCabe about their collaboration on the feature film Can You Ever Forgive Me? produced by Anne Carey and starring Melissa McCarthy as writer Lee Israel. Marielle Heller is best known for her award-winning debut feature and play, The Diary of a Teenage Girl . Anne McCabe's feature film credits include Adventureland and Maria Full of Grace . We met up in Anne's New York edit suite and started off by talking about the real-life story behind the film and how Melissa McCarthy was able to deliver a nuanced interpretation of Lee Israel by weekday and a send-up of former White House Press Secretary, Sean Spicer for SNL, on weekends during the shoot. Can You Ever Forgive Me? is a Fox Searchlight release premiering October 19th. This episode was mixed by Chris White at Technicolor Postworks. Music credits for this episode include Jeri Southern's interpretation of It's De-Lovely by Cole Porter. Generation Next is produced by Isabel Sadurni and presented by Post New York Alliance.…

Frame By Frame

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FXF_S03EP06: MIKE NICHOLS: SUZANA PERIC, NANCY ALLEN, DEBORAH WALLACH, ANN GRAY, LEE DICHTER, RON BOCHAR, PAUL LEVIN

7 years ago

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Frame By Frame

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FXF_S03EP05: DAVID MAMET: BARBARA TULLIVER, MAURICE SCHELL and MICHAEL BARRY

7 years ago

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FXF_S03EP05: DAVID MAMET: BARBARA TULLIVER, MAURICE SCHELL and MICHAEL BARRY PLAY PODCAST Since the nineteen-seventies, playwright, screenwriter, director and author, David Mamet has been writing comedies and dramas in which the art of the con, the abuse of power and the search for truth is as much a subject as is a cadence of speech and quality of character. Raised in Chicago during the Cold War, David Mamet has collaborated with New York professionals in theater and film for over 40 years, beginning with his Off Broadway debut in 1976 a trio of plays, The Duck Variations , Sexual Perversity in Chicago , and American Buffalo . He was awarded the Pulitzer Prize in 1984 for his play, Glengarry Glen Ross . One of the most prolific contemporary dramatists, David Mamet at the time of this recording has written and produced 38 plays, 33 screenplays, and 18 books both novels, and non-fiction. David Mamet's first produced screenplay was the 1981 production of The Postman Always Rings Twice , directed by Bob Rafelson . He received an Academy Award nomination one year later for his screenplay, The Verdict , directed by Sidney Lumet. He also wrote the screenplay for The Untouchables directed by Brian DePalma. I spoke with longtime collaborators motion picture editor Barbara Tulliver, sound editor Maurice Schell and re-recording mixer, Michael Barry about working with David Mamet in film and television. Frame By Frame is expanding to include short interviews spotlighting up and coming new york post professionals talking about their collaborations with bold new filmmakers in snapshot conversations called New York Minute. Listen for upcoming mini-episodes inserted within the larger podcasts soon. We welcome your suggestions - write to us at framebyframe@postnewyorkalliance.org Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild . Produced by Isabel Sadurni and Ben Baker.…

Frame By Frame

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FXF_S03EP04: ROBERT-BENTON: TOM FLEISCHMAN, BOB REITANO and MICHAEL JACOBI

7 years ago

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FXF_S03EP04: ROBERT-BENTON: TOM FLEISCHMAN, BOB REITANO and MICHAEL JACOBI PLAY PODCAST A soft-spoken, young writer from Texas, Robert Benton broke onto the feature film scene with his debut screenplay, Bonnie and Clyde for which he was nominated for an Academy Award. Developing into a writer/director, he won Oscars for Kramer vs Kramer and Places in the Heart . Here, we gather with collaborators, re-recording mixer, Tom Fleischman, picture editor, Bob Reitano and ADR Supervisor, Michael Jacobi, describe the New York scene that gave birth to Robert Benton's best collaborations and their part in creating films like Places In The Heart and Billy Bathgate . Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild . Produced by Isabel Sadurni and Ben Baker.…

Frame By Frame

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FXF_S03EP03_Brian DePalma: Kris Boden, Lee Dichter, Bill Pankow, Dan Sable, Maurice Schell

7 years ago

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FXF_S03EP03_Brian DePalma: Kris Boden, Lee Dichter, Bill Pankow, Dan Sable, Maurice Schell PLAY PODCAST Best known for his films Dressed to Kill, Blow-Out, Scarface and The Untouchables, Brian De Palma became part of the New Hollywood generation of the 1960’s and 70’s along with Martin Scorsese, Francis Ford Coppola and Stephen Spielberg, but it wasn’t until his 10th feature and breakthrough film, Carrie, that he mastered the visual grammar of suspense, psychological thriller and crime drama and developed an approach in representing sex and violence that began to define his style. In this episode, picture editors Bill Pankow and Kris Boden, supervising sound editor, Dan Sable and Maurice Schell and re-recording mixer, Lee Dichter talk about collaborating with director Brian dePalma on films such as Blow Out, Scarface, The Untouchables, and Carlito's Way. Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild . Produced by Isabel Sadurni and Ben Baker.…

Frame By Frame

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FXF3002 Alan J Pakula : Ron Bochar, Chic Ciccolini, Lee Dichter, Todd Kasow, Deborah Wallach.

8 years ago

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FXF3002 Alan J Pakula : Ron Bochar, Chic Ciccolini, Lee Dichter, Todd Kasow, Deborah Wallach PLAY PODCAST Raised in the Bronx New York, the son of a printer, Alan J. Pakula would become on of the most important film makers of the 1960’s and 70’s. In 1962, as the producer of To Kill A Mockingbird he earned his first Oscar nomination for best Picture. In the years to come, Oscar nominations and wins were frequent for films such as The Sterile Cuckoo , Klute , All the Presidents Men , Comes A Horseman and Sophie’s Choice. His frequent collaborators included cinematographer Gordon Willis and Nestor Almendros, composers Marvin Hamlisch and Michal Small and the New York post-productions teams who he called his family. In this episode, re-recording mixer, Lee Dichter, supervising sound editors, Chic Ciccolini and Ron Bochar, ADR supervisor Deborah Wallach and music editor Todd Kasow talk about working with Alan Pakula on the films Rollover, See You In The Morning, DreamLover, Sophie’s Choice, Orphans, The Pelican Brief and The Devil’s Own. Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild . Produced by Isabel Sadurni and Ben Baker.…

Frame By Frame

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FXF_S03EP01_Arthur Penn: Suzana Peric, Steve Rotter, Ron Roose, Marc Laub, Jeffrey Wolf, Bob Reitano

8 years ago

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FXF_S03EP01_ARTHUR PENN: Suzana Peric, Steve Rotter, Ron Roose, Marc Laub, Jeffrey Wolf, Bob Reitano PLAY PODCAST In the Alice’s Restaurant cutting room, from left, Richard Marks, Dede Allen, Frank Mazzola, Jerry Greenberg, Joanne McGarrity Burke, Stephen Rotter, Kathie Amatniek Sarachild and Dick Goldberg (seated) in 1969. Perhaps best known for his 1968 film, Bonnie and Clyde , stage, television and film director Arthur Penn’s masterful sense of rhythm and movement, his pioneering approach to representing violence, as well as his ability to consistently evoke powerful performances established Arthur Penn as one of the most important American directors of the 1960’s and 70's. Here several Arthur Penn collaborators including picture editors, Steve Rotter, Ron Roose, Jeffrey Wolf, picture and sound editors, Bob Reitano and Marc Laub and music editor Suzana Peric talk about their experiences working with Arthur Penn on the films Mickey One, Alice’s Restaurant, Little Big Man, Night Moves, Missouri Breaks, Four Friends, Target and Penn and Teller Get Killed. Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild . Produced by Isabel Sadurni, Shari Johanson and Ben Baker.…

Frame By Frame

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FXF_S02EP06_SOUND EDITOR, DAN SABLE: Working with Woody Allen and Brian DePalma

8 years ago

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FXF_S02EP06_SOUND EDITOR, DAN SABLE: Working with Woody Allen and Brian DePalma PLAY PODCAST In Brian DePalma’s 1981 film Blow Out , the main character is a sound effects specialist who accidentally records a murder while collecting night sounds for his effects library. The inspiration for this character was Dan Sable, a New York-based sound editor and a collaborator of DePalma’s on nine of his films including, Carrie, Dressed to Kill and Blow Out. Dan Sable built a career as a sound editor working on films such as Annie Hall and Manhattan and multiple films with Woody Allen. Other directors with whom he collaborated include Bob Fosse, Volker Schlorndorff, Ron Howard and Jonathan Demme. This interview was recorded in Dan Sable’s home home by Ira Spiegel and Shari Johanson for Frame By Frame and may be included in an forthcoming documentary on the new York Post Facility Sound One. Here, Dan talks about how he got his start in the film business, specifically in working with filmmaker Brian dePalma, how he successfully transitioned from working in analog and adapted to the tools of the digital era. He begins by discussing the difference between taking on the position of sound editor versus sound supervisor Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild . Produced by Isabel Sadurni, Shari Johanson and Ben Baker. Photo credit: In Brian dePalma's 1981 film, Blow Out, John Travolta stars as a sound recordist and editor, based on his real-life collaborator, Dan Sable.…

Frame By Frame

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FXF_S02EP05: JIM JARMUSCH PT2: Jay Rabinowitz, Bob Hein, Tony Volante

8 years ago

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FXF_SO02EP05: JIM JARMUSCH PT2: Jay Rabinowitz, Bob Hein, Tony Volante PLAY PODCAST Coming together in the early 1980’s filmmaking scene of New York, picture editor Jay Rabinowitz and sound editor Bob Hein first met in collaborating on Jim Jarmusch’s film Mystery Train which led to multiple collaborations over 25 years of working with Jim Jarmusch on such films as Broken Flowers, Dead Man, and Limits of Control. Re-recording mixer, Tony Volante joined in mixing the feature film, Coffee and Cigarettes and has since also mixed on Paterson with Bob Hein as sound editor. Jay, Bob and Tony start out by describing the filmmaking scene of 1980’s New York and how that set the tone for future collaborations. Jay Rabinowitz also talks about his process as a picture editor working with Jim Jarmusch and how the film Dead Man came together. Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild . Produced by Isabel Sadurni and Ben Baker.…

Frame By Frame

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FXF_S02EP04-_The Rise of NY Documentary: Sam Pollard and Lillian Benson.

8 years ago

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FXFS2EP3_RISE OF NY DOCUMENTARY_Sam Pollard_Lilllian Benson PLAY PODCAST For Sam Pollard, E mmy and Peabody award-winning a director, producer, picture editor and frequent collaborator with Spike Lee ( Style Wars, Mo' Better Blues, Girl 6, Bamboozled, Clockers, When the Levees Broke: A Requiem in Four Acts, Four Little Girls and August Wilson: The Ground on Which I Stand) , and for Lillian Benson, recipient of the 2017 Motion Picture Editor's Guild Fellowship and Service Award and E mmy and Peabody award-winning picture editor ( Get In The Way: The Journey of John Lewis and Maya Angelou: And Still I Rise) documentary filmmakin g has proven to be the most powerful form of expression artistically, personally and professionally. Coming up during the civil rights movement of the late 1960’s and 70’s New York they recognized the documentary film form as a medium that amplified their own voices and talents in telling the story of African Americans. Though their paths crossed on several New York- based projects, it was the Peabody and multi-Emmy award winning, Eyes on the Prize Parts 1 and 2, the landmark 14-part documentary series, telling the story of the American civil rights movement from 1952 to 1985 that was the most pivotal experience. In this episode, Pollard and Benson tell their story of rising up through the New York documentary film scene to become two of the most important and influential documentarians of their generation. Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild . Produced By Isabel Sadurni and Ben Baker.…

Frame By Frame

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FXF0106-7 THE SOUND ONE ERA: THE END / REBIRTH

8 years ago

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PLAY PODCAST In 2012, Sound One, possibly the most successful post-production facility in New York City’s history, closed its doors after 44 years of business. What caused the demise of Sound One is a point of contention between the clients, former owners, founders and staff, who hold multiple theories about why it failed financially. Some blame a distant holding company in Denver who some say were out of touch with the needs of the local community in New york and undermined the business practices which required creative and financial flexibility to maintain its base of both established and up and coming filmmakers. Others cite a long process of chipping away at the character of Sound One over a period of time during which the company was bought and sold five times to various entities. Here former staff and clients explain in their words, how the end of Sound one came to be and how in the wake of its undeniable force created new pools of talent and multiple post-production facilities in New York, all of them strengthened by the work ethic and familial bonds of developed at Sound One. Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild . Produced By Isabel Sadurni, Shari Johanson and Ben Baker.…

Frame By Frame

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FXF0106-6 THE SOUND ONE ERA: LEADING THE DIGITAL REVOLUTION

8 years ago

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PLAY PODCAST The dawn of the digital era marked a major pivot point in post production technology that left some behind in analog while others charged fearlessly into a brave new world. Sound One led the post-production digital revolution, testing software, and equipment for the film industry before Hollywood, to ensure a smooth transition into the Digital Age. In this episode, former Sound One staff and clients discuss navigating the technological changes from analog to digital in the film and television sound editing medium in the late 80’s and 90’s. Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild . Produced By Isabel Sadurni, Shari Johanson and Ben Baker.…

Frame By Frame

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FXF0106-1 THE SOUND ONE ERA: THE BEGINNING

8 years ago

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PLAY PODCAST From 1968 to 2012, Sound One grew from a solo operation run by Elisha Birnbaum a foley artist and sound editor recent emigrated from Israel to becoming the most successful post-production sound and editing facility on the East Coast. Inhabiting seven floors of the famed Brill Building and commanding at least 85% of post-production business in New York, Sound One housed 150 edit suites and over 300 clients and staff at its apex. As its reputation grew, it became the go to post-production home for such filmmakers as Sidney Lumet, Arthur Penn, George Roy Hill, Jonathan Demme, Woody Allen and Martin Scorsese and through its constant support of independents, helped launch the careers of filmmakers like the Alan Pakula, Spike Lee, The Coen Brothers, M. Night Shyamalan, Michael Moore and Ken Burns and countless post-production professionals generating some of cinemas most important films. The Beginning tells the story of how Sound One answered a need for local sound stages in the early 1970's New York film industry and redefined the post-production community in the process. Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild . Produced By Isabel Sadurni, Shari Johanson and Ben Baker.…

Frame By Frame

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FXFS02EP02_SIDNEY LUMET's NETWORK : Alan Heim, Mark Laub, Michael Jacobi and Jeffrey Wolf

8 years ago

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FXFS02EP02_SIDNEY LUMET's NETWORK : Alan Heim, Mark Laub, Michael Jacobi and Jeffrey Wolf PLAY PODCAST In 1976, an American satirical film written by Paddy Chayefsky and directed by Sidney Lumet , called Network, about a fictional television network , UBS, and its struggle with poor ratings , starring Faye Dunaway , William Holden , Peter Finch , Robert Duvall and Beatrice Straight was nominated for 12 Academy Awards including best film, best director and best editor. Network, won four Academy Awards, including Oscars for Chayefsky’s script, Beatrice Straights’ performance as an outraged wife, Faye Dunaway’s performance as a cynical programming executive and Peter Finch’s frenetic portrayal of Howard Beale, the troubled “mad prophet of the airwaves.” Thirty-five years later, “Network” remains an incendiary if influential film, and its screenplay is still admired as much for its predictive accuracy as for its vehemence and a relentless sense of purpose. Screenwriter Aaron Sorkin, cited Chayefsky when he accepted his Oscar for the screenplay of “The Social Network,” and wrote later that “no predictor of the future — not even Orwell — has ever been as right as Chayefsky was when he wrote ‘Network.’ ” Alan Heim, the picture editor of the film, Mark Laub, one from a team of sound editors, Michael Jacobi and Jeffrey Wolf, the first assistant editor and the apprentice editor on the film at the time, tell their stories of how the film came together and what it was like in various stages working with director Sidney Lumet, writer Paddy Chayefsky and Producer Howard Gottfried. Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild . Produced by Isabel Sadurni and Ben Baker.…

Frame By Frame

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FXF_S01EP05: Angelo Corrao, Alex Halpern_ LET's GET LOST, NINE GOOD TEETH

8 years ago