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Content provided by Vicky Aguero and Dan Domingues, Dan Domingues, and Vicky Aguero. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Vicky Aguero and Dan Domingues, Dan Domingues, and Vicky Aguero or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
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Dr. Jekyll And Sister Hyde (Episode 143) Hot Date with Dan and Vicky

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Manage episode 319571464 series 1214984
Content provided by Vicky Aguero and Dan Domingues, Dan Domingues, and Vicky Aguero. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Vicky Aguero and Dan Domingues, Dan Domingues, and Vicky Aguero or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In the early 70's Hammer Studios, Britain's premier production house for horror and fantasy films, was at a crossroads. The Hammer name connoted class, style and a certain elegance but the new wave of horror was grittier and more explicit. Playing against The Exorcist and Texas Chainsaw Massacre, Hammer films could almost appear quaint. So Hammer pivoted and started making films like 1972's Dr. Jekyll and Sister Hyde in response. Still using trained British talent and adapting classic texts, this new period for Hammer saw a push towards more nudity (mostly female) and more visceral violence. Dr. Jekyll and Sister Hyde was advertised as giving viewers "the sexual transformation of a man into a woman...before your very eyes!" A bold claim - not entirely true - but part of Hammer's attempt to draw in more exploitation hungry crowds. Dan and Vicky discuss the film - their first stab at a Hammer film - along with lots of recently seen including 355, The Red Shoes, Jakob's Wife, Rock and Roll High School, The Humans and Wes Craven's Vampire in Brooklyn.

Check out Hot Date 143, leave us some feedback or a star rating and visit our website at hotdatepod.com.

  continue reading

195 episodes

Artwork
iconShare
 
Manage episode 319571464 series 1214984
Content provided by Vicky Aguero and Dan Domingues, Dan Domingues, and Vicky Aguero. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Vicky Aguero and Dan Domingues, Dan Domingues, and Vicky Aguero or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In the early 70's Hammer Studios, Britain's premier production house for horror and fantasy films, was at a crossroads. The Hammer name connoted class, style and a certain elegance but the new wave of horror was grittier and more explicit. Playing against The Exorcist and Texas Chainsaw Massacre, Hammer films could almost appear quaint. So Hammer pivoted and started making films like 1972's Dr. Jekyll and Sister Hyde in response. Still using trained British talent and adapting classic texts, this new period for Hammer saw a push towards more nudity (mostly female) and more visceral violence. Dr. Jekyll and Sister Hyde was advertised as giving viewers "the sexual transformation of a man into a woman...before your very eyes!" A bold claim - not entirely true - but part of Hammer's attempt to draw in more exploitation hungry crowds. Dan and Vicky discuss the film - their first stab at a Hammer film - along with lots of recently seen including 355, The Red Shoes, Jakob's Wife, Rock and Roll High School, The Humans and Wes Craven's Vampire in Brooklyn.

Check out Hot Date 143, leave us some feedback or a star rating and visit our website at hotdatepod.com.

  continue reading

195 episodes

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