In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Episode 29: Satyajit Ray's documentaries - with Subha Das Mollick
Manage episode 284687965 series 2795250
Content provided by Himanshu Joglekar. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Himanshu Joglekar or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Hi everyone, thanks for listening. Drop a line or two about the episode!
Satyajit Ray made an absolutely moving documentary on Rabindranath Tagore.
He also made documentaries on — the blind artist, Binode Behari Mukherjee; Bharatanatyam dancer, Balasaraswati; Sikkim; and Sukumar Ray.
Ray had also planned documentaries on Nehru and Pandit Ravi Shankar, which never got made.
As we inch closer to Ray's centenary, we take a close look at the filmmaker's equally excellent documentary work. Professor of Film Studies at Aliah University (Kolkata) and documentarian, Subha Das Mollick, joins me to share her insights on Ray's approach to documentaries, critically examine the five documentaries, and to talk about the other two documentaries which Ray wanted to make.
We also tried to juxtapose the realism in his feature films with Ray, the documentarian.
Feedback/comments/questions: loveofcinemasf@gmail.com
Credits:
Produced and hosted by: Himanshu (@loveofcinemasf8)
Editor: Devika Joglekar
Music: Nakul Abhyankar
Copyrights © Love of Cinema 2021
If you liked the episode and found value, please considering supporting the show. Your support will help me continue making good content for fans of Indian cinema everywhere across the world: https://www.buzzsprout.com/257788/support
68 episodes
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Manage episode 284687965 series 2795250
Content provided by Himanshu Joglekar. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Himanshu Joglekar or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Hi everyone, thanks for listening. Drop a line or two about the episode!
Satyajit Ray made an absolutely moving documentary on Rabindranath Tagore.
He also made documentaries on — the blind artist, Binode Behari Mukherjee; Bharatanatyam dancer, Balasaraswati; Sikkim; and Sukumar Ray.
Ray had also planned documentaries on Nehru and Pandit Ravi Shankar, which never got made.
As we inch closer to Ray's centenary, we take a close look at the filmmaker's equally excellent documentary work. Professor of Film Studies at Aliah University (Kolkata) and documentarian, Subha Das Mollick, joins me to share her insights on Ray's approach to documentaries, critically examine the five documentaries, and to talk about the other two documentaries which Ray wanted to make.
We also tried to juxtapose the realism in his feature films with Ray, the documentarian.
Feedback/comments/questions: loveofcinemasf@gmail.com
Credits:
Produced and hosted by: Himanshu (@loveofcinemasf8)
Editor: Devika Joglekar
Music: Nakul Abhyankar
Copyrights © Love of Cinema 2021
If you liked the episode and found value, please considering supporting the show. Your support will help me continue making good content for fans of Indian cinema everywhere across the world: https://www.buzzsprout.com/257788/support
68 episodes
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Similar to Love of Cinema
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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