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Manage episode 428405186 series 2352951
Content provided by Annalee Newitz and Our Opinions Are Correct. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Annalee Newitz and Our Opinions Are Correct or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
What is the point of absurdist storytelling in a world that feels absurd? We talk about science fiction that gets silly, satirical, and weird -- and why we need it desperately. From The Hitchhiker's Guide to the Galaxy to The Onion, we analyze absurdism as readers and writers. Then we're joined by Victor Manibo, author of the brilliant new novel Escape Velocity, who tells us about how his background in immigration law helped him write an anti-billionaire space opera.
Show notes: www.ouropinionsarecorrect.com/shownotes
174 episodes
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Manage episode 428405186 series 2352951
Content provided by Annalee Newitz and Our Opinions Are Correct. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Annalee Newitz and Our Opinions Are Correct or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
What is the point of absurdist storytelling in a world that feels absurd? We talk about science fiction that gets silly, satirical, and weird -- and why we need it desperately. From The Hitchhiker's Guide to the Galaxy to The Onion, we analyze absurdism as readers and writers. Then we're joined by Victor Manibo, author of the brilliant new novel Escape Velocity, who tells us about how his background in immigration law helped him write an anti-billionaire space opera.
Show notes: www.ouropinionsarecorrect.com/shownotes
174 episodes
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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