Werewolf Ambulance is a horror movie comedy podcast. Allen and Katie watch horror movies from all eras and of all qualities and then discuss them in a not-so-academic way (just as the name "Werewolf Ambulance" might imply!) and then discuss and rate them. The episodes do contain spoilers, so please watch the films before listening if that bothers you!
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Content provided by CJR Productions, Evan Crean, Megan Kearns, and David Riedel. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by CJR Productions, Evan Crean, Megan Kearns, and David Riedel or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
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Episode #218: "The Predator" and "The Wife"
Manage episode 216789393 series 83148
Content provided by CJR Productions, Evan Crean, Megan Kearns, and David Riedel. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by CJR Productions, Evan Crean, Megan Kearns, and David Riedel or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Two new big releases on the show this week. After Dave corrects a mistake he made in last week’s episode (re: whether TRESPASS by Genesis was released in 1970 or 1971), they get into THE WIFE (3:30), which features a fine performance by Jonathan Pryce and an EPIC Glenn Close performance. Kris and Dave disagree on how good it is (and Kris gets in a good dig at Dave at about 14:30), but they’re definitely on the same page about Close’s performance (also, Dave mixed up his pronouns at 20:59 and should have said, “He takes that from her,” not the other way around). Then it’s Shane Black’s THE PREDATOR (30:04), which everyone saw. Two-thirds of the guys hated it and one-third liked it. If you are a Patreon member (patreon.com/spoilerpiece), you’ll find THREE pieces of extra audio on the Patreon page over the next few days.
540 episodes
Share
Manage episode 216789393 series 83148
Content provided by CJR Productions, Evan Crean, Megan Kearns, and David Riedel. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by CJR Productions, Evan Crean, Megan Kearns, and David Riedel or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Two new big releases on the show this week. After Dave corrects a mistake he made in last week’s episode (re: whether TRESPASS by Genesis was released in 1970 or 1971), they get into THE WIFE (3:30), which features a fine performance by Jonathan Pryce and an EPIC Glenn Close performance. Kris and Dave disagree on how good it is (and Kris gets in a good dig at Dave at about 14:30), but they’re definitely on the same page about Close’s performance (also, Dave mixed up his pronouns at 20:59 and should have said, “He takes that from her,” not the other way around). Then it’s Shane Black’s THE PREDATOR (30:04), which everyone saw. Two-thirds of the guys hated it and one-third liked it. If you are a Patreon member (patreon.com/spoilerpiece), you’ll find THREE pieces of extra audio on the Patreon page over the next few days.
540 episodes
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Similar to Spoilerpiece Theatre
Werewolf Ambulance is a horror movie comedy podcast. Allen and Katie watch horror movies from all eras and of all qualities and then discuss them in a not-so-academic way (just as the name "Werewolf Ambulance" might imply!) and then discuss and rate them. The episodes do contain spoilers, so please watch the films before listening if that bothers you!
…
continue reading
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…
continue reading
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…
continue reading
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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…
continue reading
Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
…
continue reading
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…
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…
continue reading
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…
continue reading
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…
continue reading
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