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59. Marathon Man (w. Matt Owen)
Manage episode 278408204 series 2290153
Content provided by Chris Webb, Rob Johnson, Chris Webb, and Rob Johnson. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Chris Webb, Rob Johnson, Chris Webb, and Rob Johnson or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Is it safe? Is it still any good? We're joined by great comedy writer Matt Owen to talk about everybody's favourite running and dentistry extravaganza, 1974's MARATHON MAN. Enjoy!
127 episodes
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Manage episode 278408204 series 2290153
Content provided by Chris Webb, Rob Johnson, Chris Webb, and Rob Johnson. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Chris Webb, Rob Johnson, Chris Webb, and Rob Johnson or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Is it safe? Is it still any good? We're joined by great comedy writer Matt Owen to talk about everybody's favourite running and dentistry extravaganza, 1974's MARATHON MAN. Enjoy!
127 episodes
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Similar to Still Any Good?
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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…
continue reading
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…
continue reading
The Flop House is a comedy podcast devoted to the worst in recent film. Your hosts (Elliott Kalan, Dan McCoy, and Stuart Wellington) watch a questionable film, then engage in an unscripted discussion about the movie's shortcomings and occasional delights, while never being afraid of a pointless, silly digression or two hundred.
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