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ARONOFSKY: CH 3 PT 1:THE FOUNTAIN

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Manage episode 405317995 series 2854826
Content provided by Ken and Thomas. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ken and Thomas or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

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THE FOUNTAIN

No one expects the Spanish Inquisition, and no one expected Darren Aronofsky to follow up the success of Requiem for a Dream with a genre-breaking, scyfy-romantic-period-spiritual-medical drama (kinda? maybe?) entitled THE FOUNTAIN (2006). Join your hosts Ken and Thomas along with returning guest Ryan for Season 11, Chapter III, Part A as they drink from The Fountain, a movie garnering no award nominations and would, after wrapping, temporarily break up Aronofsky’s partnership with cinematographer Matthew Libatique.

Aronofsky’s biggest (and only) flop to date, The Fountain concerns three timelines. These intercut stories are populated by then-girlfriend Rachel Weisz and then-between-Wolverines-and-musicals Hugh Jackman (in three iterations of the name “Thomas”) where they play Spanish queen and her loyal conquistador servant, a terminally ill wife and super-science primate neurologist, and a tree (or apparition) and hairless yoga enthusiast in a bubble travelling to an exploding star. These past and future timelines may or may not exist, perhaps part of a pretentiously hand-written, leather-bound manuscript by the dying Weisz-wife character, who left the final chapter incomplete for Dr. Tommy to compose after her death.

Pod-favorite actors Mark Margolis returns as a priest and Ellen Burstyn returns as Dr. Tommy’s boss and tree/cemetery owner, while Clint Mansell returns to score the film. The movie also marks the beginning of Aronofsky’s ongoing writing partnership with Ari Handel.

Join the hate watch as our three cineastes yell in unison from across timelines: “Finish it!”

THEME SONG BY: WEIRD A.I.
Email: thegoodthepodandtheugly@gmail.com
Facebook: https://m.facebook.com/TGTPTU
Instagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0
Twitter: https://twitter.com/thegoodthepoda1
YouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-g
Buzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/
Letterboxd (follow us!):
Ken: Ken Koral

  continue reading

167 episodes

Artwork
iconShare
 
Manage episode 405317995 series 2854826
Content provided by Ken and Thomas. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ken and Thomas or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Send us a text

THE FOUNTAIN

No one expects the Spanish Inquisition, and no one expected Darren Aronofsky to follow up the success of Requiem for a Dream with a genre-breaking, scyfy-romantic-period-spiritual-medical drama (kinda? maybe?) entitled THE FOUNTAIN (2006). Join your hosts Ken and Thomas along with returning guest Ryan for Season 11, Chapter III, Part A as they drink from The Fountain, a movie garnering no award nominations and would, after wrapping, temporarily break up Aronofsky’s partnership with cinematographer Matthew Libatique.

Aronofsky’s biggest (and only) flop to date, The Fountain concerns three timelines. These intercut stories are populated by then-girlfriend Rachel Weisz and then-between-Wolverines-and-musicals Hugh Jackman (in three iterations of the name “Thomas”) where they play Spanish queen and her loyal conquistador servant, a terminally ill wife and super-science primate neurologist, and a tree (or apparition) and hairless yoga enthusiast in a bubble travelling to an exploding star. These past and future timelines may or may not exist, perhaps part of a pretentiously hand-written, leather-bound manuscript by the dying Weisz-wife character, who left the final chapter incomplete for Dr. Tommy to compose after her death.

Pod-favorite actors Mark Margolis returns as a priest and Ellen Burstyn returns as Dr. Tommy’s boss and tree/cemetery owner, while Clint Mansell returns to score the film. The movie also marks the beginning of Aronofsky’s ongoing writing partnership with Ari Handel.

Join the hate watch as our three cineastes yell in unison from across timelines: “Finish it!”

THEME SONG BY: WEIRD A.I.
Email: thegoodthepodandtheugly@gmail.com
Facebook: https://m.facebook.com/TGTPTU
Instagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0
Twitter: https://twitter.com/thegoodthepoda1
YouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-g
Buzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/
Letterboxd (follow us!):
Ken: Ken Koral

  continue reading

167 episodes

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