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Manage episode 348148718 series 1105358
Content provided by Matt Gamble and James Gillham. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Matt Gamble and James Gillham or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Cody, Robert, and Nat go on a serial killer hunt in the dystopian future of 2008 London and discover a cop out of control and a satanic alien serial killer in 1992's SPLIT SECOND. Time tracks: SPLIT SECOND Discussion: 0:00 to 56:00 Next Film and Outro: 56:00 to End
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Manage episode 348148718 series 1105358
Content provided by Matt Gamble and James Gillham. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Matt Gamble and James Gillham or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Cody, Robert, and Nat go on a serial killer hunt in the dystopian future of 2008 London and discover a cop out of control and a satanic alien serial killer in 1992's SPLIT SECOND. Time tracks: SPLIT SECOND Discussion: 0:00 to 56:00 Next Film and Outro: 56:00 to End
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Similar to Where the Long Tail Ends
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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