A filmmaker and a writer tackle the AFI's Top 100 Films and beyond to educate themselves about movies and storytelling. Welcome to Film School!
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Audio sermons by the Timberland Drive church of Christ in Lufkin, Texas
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Welcome to the HBCU AF Podcast!!!!!! 4 friends from a HBCU sit and talk HBCU life and current events in the world. Focus: HBCU life, money funding at HBCU's, HBCU sports, HBCU history, HBCU excellence at other schools, Band life, D9 world, HBCU campus news, current events, culture, and understand HBCU's have talent and produce excellence just like these other schools our degrees work just as good and there is no better experience than an HBCU experience!!!!! Contact: HBCUAFPodcast@gmail.com ...
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A modern Russian fairytale about an American actress who adopts a little Russian girl in St. Petersburg in 1994. The actress, Molly McKay, finds herself alone in a Russia that is trying, for the first time in its history, to become a free market democracy. She also discovers that the TV show she starred in back in the ‘80s in the U.S. is now a big hit in Russia, complicating an already harrowing adoption journey. Then there are the two handsome princes, one Russian, one American, and all the ...
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Trek is Best with a Friend! A podcast where a die-hard Trek fan and a rookie watch the original Star Trek series (and beyond!) together. Join them for laughter, discussion, and boundless adventure through the Trek universe, episode-by-episode!
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When we're young, being different is scary, and for some reason, we go to great lengths to look, act, and think like everyone else. As a neurodivergent youth, the fear of being different can be even more terrifying. We are often afraid that others will see our creativity, free spirit, and general knowledge as something to be rejected and chastised for, but not anymore! Join Dr. Kristen Eccleston (published researcher, professor, and school mental health advocate) as she explores the amazing ...
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The Go Dyslexia podcast features discussions with dyslexia experts from around the globe on topics such as assistive technology, entrepreneurship, learning strategies, and cognitive remedial tools. Now, therapists, teachers, parents, and individuals with dyslexia can get advice, strategies, material suggestions and more.
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I Confess (Alfred Hitchcock Deep Dive #38)
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I want to make a confession... Hitchcock has a nose for a character in a bind, and that's on full display with this one, where a priest takes confession from a murderer, then becomes the main suspect in that very same murder. Will he break his oath as a priest and tell the authorities the truth? Or will he hang for another man's crime? We watch and…
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by Harold HancockBy Harold Hancock
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by Reagan McClennyBy Reagan McClenny
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by Reagan McClennyBy Reagan McClenny
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by Preston NicholsBy Preston Nichols
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by Reagan McClennyBy Reagan McClenny
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Alternate Endings (Cutting Room Floor #214)
53:41
53:41
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So, you've heard about a movie that has MULTIPLE endings. Maybe they're in the actual film, maybe they're extras on the DVD, or maybe they're just rumors and old scripts. What place do those hold in the context of good storytelling? Are they untapped goldmines, or are they the cast-offs of the perfecting process? We discuss! Also, Josh recommends X…
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by Reagan McClennyBy Reagan McClenny
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by Reagan McClennyBy Reagan McClenny
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by Preston NicholsBy Preston Nichols
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Strangers on a Train (Alfred Hitchcock Deep Dive #37)
57:14
57:14
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You do my murder, and I do yours... We might best know Patricia Highsmith from The Talented Mr. Ripley, but Strangers on a Train was her shocking debut novel, and folks: it slaps even as a movie, and ESPECIALLY in the hands of an Alfred Hitchcock who really feels like he's learned a thing or two about telling suspenseful stories. This one is a TRIP…
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by Reagan McClennyBy Reagan McClenny
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When to Kill a Character (Cutting Room Floor #213)
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31:17
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Off with their head! Sometimes, a character has to die. But, when are those times? When is it right for the audience or the reader to kill a character? Are there rules, or at least guidelines, around when to bump somebody off for the best effect on your story? We brainstorm from our own experience, and we use a wonderful write-up from onestopforwri…
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by Kenny MoorerBy Kenny Moorer
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by Kenny MoorerBy Kenny Moorer
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Stage Fright (Alfred Hitchcock Deep Dive #36)
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49:22
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Go or don't go, it's all the same. I thought you loved me... Hitchcock teams up with legend of the silent era Marlene Dietrich as a stage actress who's murdered her husband and enlisted her lover's help to try and cover it up. We're also back in the UK! After a couple flops, it certainly feels like Hitch is trying very hard to make a hit. Does it w…
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by Kenny MoorerBy Kenny Moorer
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by Kenny MoorerBy Kenny Moorer
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by Kenny MoorerBy Kenny Moorer
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What makes a great anti-hero?
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Under Capricorn (Alfred Hitchcock Deep Dive #35)
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54:59
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In seventeen-hundred and seventy, Captain Cook discovered Australia... Hitchcock tries his hand at the high-brow romantic drama of a young man falling in love with a once-glorious woman now living in exile and the bottle. Certainly not what one thinks of when they're imagining a Hitch joint. Does it work? We watch and discuss!…
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by Reagan McClennyBy Reagan McClenny
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by Reagan McClennyBy Reagan McClenny
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by Harold HancockBy Harold Hancock
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by Reagan McClennyBy Reagan McClenny
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by Reagan McClennyBy Reagan McClenny
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Will Success Fix Me? (Cutting Room Floor #211)
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48:22
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Bestseller. Top of the Box Office. Hit TV show. Oscar. Millions...success will fix everything, right? I mean, it's literally what we're chasing so hard, the tippy top of our dreams, how could it possibly NOT fix us, right? RIGHT? Hmmm. So, what if it doesn't? What if success were only to make our personal issues WORSE? Oh, god. Perhaps the work on …
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by Reagan McClennyBy Reagan McClenny
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by Reagan McClennyBy Reagan McClenny
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by Reagan McClennyBy Reagan McClenny
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by Our MembersBy Our Members
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Murder can be an art, too... So, Hitchcock is doing some THINGS. He's out on his own away from Selznick for the first time in Hollywood, and he's come out with a big swing: can we shoot a movie with no cuts? All one take? Or, at least the illusion of that? And how would such a real-time filming method influence the drama that unfolds? Kinda blew ou…
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by Reagan McClennyBy Reagan McClenny
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by Reagan McClennyBy Reagan McClenny
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Why Is Your Process So Different From Mine? (Cutting Room Floor #210)
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43:33
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You've probably heard this before: there is no ONE WAY to be a writer. Or a filmmaker. Or an actor, or a painter, or a dancer, or a sculptor...the possibilities, personalities, and pathways are endless. Why is that? And if its true, how can I find my own way? We discuss and answer! Also, Josh recommends The Terror Season 1 (again!), and Ira recomme…
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The Paradine Case (Alfred Hitchcock Deep Dive #33)
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49:47
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I loved Andre Latour, and you murdered him... It's the last rodeo for Alfred Hitchcock and David O. Selznick, the last time the two work together. And this time, it's written by the producer himself. We have ourselves a murder, a mysterious, beautiful woman accused, and a dashing young lawyer who's convinced she didn't do it. So, how does it all sh…
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by Reagan McClennyBy Reagan McClenny
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by Reagan McClennyBy Reagan McClenny
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All At Once vs. Slow & Steady (Cutting Room Floor #209)
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What's the best way to work: burst energy, get it out as hard and fast as you possibly can go go go don't stop...or slow and steady, this is a marathon not a sprint, and you can't just drop everything when life never stops, so drip drip it away, one brick at a time until you're finally done? Spoiler: it's not an either/or. It's BOTH. We talk about …
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by Harold HancockBy Harold Hancock
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by Harold HancockBy Harold Hancock
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A modern Russian fairytale about an American actress who adopts a little Russian girl in St. Petersburg in 1994. The actress, Molly McKay, finds herself alone in a Russia that is trying, for the first time in its history, to become a free market democracy. She also discovers that the TV show she starred in back in the ‘80s in the U.S. is now a big …
…
continue reading
A modern Russian fairytale about an American actress who adopts a little Russian girl in St. Petersburg in 1994. The actress, Molly McKay, finds herself alone in a Russia that is trying, for the first time in its history, to become a free market democracy. She also discovers that the TV show she starred in back in the ‘80s in the U.S. is now a big …
…
continue reading
A modern Russian fairytale about an American actress who adopts a little Russian girl in St. Petersburg in 1994. The actress, Molly McKay, finds herself alone in a Russia that is trying, for the first time in its history, to become a free market democracy. She also discovers that the TV show she starred in back in the ‘80s in the U.S. is now a big …
…
continue reading
A modern Russian fairytale about an American actress who adopts a little Russian girl in St. Petersburg in 1994. The actress, Molly McKay, finds herself alone in a Russia that is trying, for the first time in its history, to become a free market democracy. She also discovers that the TV show she starred in back in the ‘80s in the U.S. is now a big …
…
continue reading
A modern Russian fairytale about an American actress who adopts a little Russian girl in St. Petersburg in 1994. The actress, Molly McKay, finds herself alone in a Russia that is trying, for the first time in its history, to become a free market democracy. She also discovers that the TV show she starred in back in the ‘80s in the U.S. is now a big …
…
continue reading
A modern Russian fairytale about an American actress who adopts a little Russian girl in St. Petersburg in 1994. The actress, Molly McKay, finds herself alone in a Russia that is trying, for the first time in its history, to become a free market democracy. She also discovers that the TV show she starred in back in the ‘80s in the U.S. is now a big …
…
continue reading
A modern Russian fairytale about an American actress who adopts a little Russian girl in St. Petersburg in 1994. The actress, Molly McKay, finds herself alone in a Russia that is trying, for the first time in its history, to become a free market democracy. She also discovers that the TV show she starred in back in the ‘80s in the U.S. is now a big …
…
continue reading
A modern Russian fairytale about an American actress who adopts a little Russian girl in St. Petersburg in 1994. The actress, Molly McKay, finds herself alone in a Russia that is trying, for the first time in its history, to become a free market democracy. She also discovers that the TV show she starred in back in the ‘80s in the U.S. is now a big …
…
continue reading
A modern Russian fairytale about an American actress who adopts a little Russian girl in St. Petersburg in 1994. The actress, Molly McKay, finds herself alone in a Russia that is trying, for the first time in its history, to become a free market democracy. She also discovers that the TV show she starred in back in the ‘80s in the U.S. is now a big …
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continue reading