In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Avengers: Endgame With Joanne Sheppard
Manage episode 414144584 series 2634001
Content provided by Podnose. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Podnose or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
It’s Good, Except It Sucks is a movie by movie – and television series by television series – hurtle through the Marvel Cinematic Universe, hosted by Tim Worthington with a series of superpowered guests.
This time it’s Avengers: Endgame from 2019, and joining Tim for a chat about Ant-Man's determination to restore Universal balance and bring back correctly-sized sandwiches is book reviewer Joanne Sheppard. What will they find to say about Chekhov's Blow-Wave, the practicality of banishing right-wing 'opinion-makers' to Corby and what exactly Valkyrie is doing on the set of Hamish Macbeth, and what does any of this have to do with Rocket Racoon's career prospects as a football mascot? Get listening and find out!
You can find more editions of It's Good, Except It Sucks at http://timworthington.org/. You can also find Joanne on Avengers Assemble here, Avengers: Infinity War here, Blade II here and Blade: Trinity here.
If you enjoy It's Good, Except It Sucks, you can help to support the show by buying us a coffee here. Get The Hulk to deliver it so that somehow when it gets handed to you it physics-defyingly mysteriously becomes much bigger.
99 episodes
Share
Manage episode 414144584 series 2634001
Content provided by Podnose. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Podnose or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
It’s Good, Except It Sucks is a movie by movie – and television series by television series – hurtle through the Marvel Cinematic Universe, hosted by Tim Worthington with a series of superpowered guests.
This time it’s Avengers: Endgame from 2019, and joining Tim for a chat about Ant-Man's determination to restore Universal balance and bring back correctly-sized sandwiches is book reviewer Joanne Sheppard. What will they find to say about Chekhov's Blow-Wave, the practicality of banishing right-wing 'opinion-makers' to Corby and what exactly Valkyrie is doing on the set of Hamish Macbeth, and what does any of this have to do with Rocket Racoon's career prospects as a football mascot? Get listening and find out!
You can find more editions of It's Good, Except It Sucks at http://timworthington.org/. You can also find Joanne on Avengers Assemble here, Avengers: Infinity War here, Blade II here and Blade: Trinity here.
If you enjoy It's Good, Except It Sucks, you can help to support the show by buying us a coffee here. Get The Hulk to deliver it so that somehow when it gets handed to you it physics-defyingly mysteriously becomes much bigger.
99 episodes
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Similar to It's Good, Except It Sucks
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
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continue reading
Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
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continue reading
The Weekly Planet covers all things movies, TV shows and comics. Often considered the first and worst podcast on the Planet Broadcasting Network. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
…
continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
…
continue reading
If you're like Matt Gourley (Superego, Drunk History, Conan O'Brien Needs A Friend), then you know all the classic movie and television scenes so well it's like you were in the room when they happened. Well, you weren't. And neither was he. But the people Matt interviews were! Listen in as they tell the inside stories of how cinema and television history was made from a fly-on-the-wall perspective you've never heard. Hosted on Acast. See acast.com/privacy for more information.
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