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Case #16: The Strand and the Black Mask-Pulp Legends

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Archived series ("Inactive feed" status)

When? This feed was archived on July 09, 2018 00:00 (5+ y ago). Last successful fetch was on May 28, 2020 01:29 (4y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 150119335 series 108700
Content provided by Steven Gomez. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Steven Gomez or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

“A pulp story without a detective and, obviously, somebody for him to do battle with is unthinkable, and I can't remember reading a pulp story that didn't have a dame - either a good girl or a bad girl.”

-Otto Penzler

The 1890’s in Europe was, for all intents and purposes, a golden age for serialized stories in print. In England Charles Dickens became the first rock star the world had ever seen, and in France, serialized versions of The Three Musketeers and The Count of Monte Cristo were spread out over hundreds of installments, making their publishers wealthy.

In one case, a German novel published in serialized form for Die Gartenlaube catapulted their circulation to over 350,000 readers in 1875.

The public was hungry for serialized literature, and the novel, thanks to writers such as Dickens and Wilkie Collins, was still in its infancy. Put those two facts together, and you were truly on to something.

In 1890 George Newnes and Editor H. Greenhough Smith founded The Strand Magazine, named for a fashionable London area. The goal of the magazine was to elevate story-telling and discourse and it attempted to appeal to mass market family readership.

  continue reading

52 episodes

Artwork
iconShare
 

Archived series ("Inactive feed" status)

When? This feed was archived on July 09, 2018 00:00 (5+ y ago). Last successful fetch was on May 28, 2020 01:29 (4y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 150119335 series 108700
Content provided by Steven Gomez. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Steven Gomez or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

“A pulp story without a detective and, obviously, somebody for him to do battle with is unthinkable, and I can't remember reading a pulp story that didn't have a dame - either a good girl or a bad girl.”

-Otto Penzler

The 1890’s in Europe was, for all intents and purposes, a golden age for serialized stories in print. In England Charles Dickens became the first rock star the world had ever seen, and in France, serialized versions of The Three Musketeers and The Count of Monte Cristo were spread out over hundreds of installments, making their publishers wealthy.

In one case, a German novel published in serialized form for Die Gartenlaube catapulted their circulation to over 350,000 readers in 1875.

The public was hungry for serialized literature, and the novel, thanks to writers such as Dickens and Wilkie Collins, was still in its infancy. Put those two facts together, and you were truly on to something.

In 1890 George Newnes and Editor H. Greenhough Smith founded The Strand Magazine, named for a fashionable London area. The goal of the magazine was to elevate story-telling and discourse and it attempted to appeal to mass market family readership.

  continue reading

52 episodes

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