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51
Diamond Factory

Young Living Business Training: Monday Night Calls

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Home of the Monday Nights calls with Jen Springer and Monty Moran. Listen in as they host Young Living Essential Oils related business discussions with guests from Young Living corporate, 3rd party vendors to help you both enjoy the products in creative ways and grow your business at the time, and of course the numerous Young Living Independent Distributor RockStars! This call is sponsored by Young Living Independent Distributor 430739, Peacock Enterprises LTD to support the business builder ...
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1
The Long Take

Akhil Arora and Rohan Naahar

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Another movie podcast by two know-it-all guys—Akhil Arora and Rohan Naahar—killing their careers and burning bridges in Bollywood one review at a time. New episodes weekly. Support this podcast: https://podcasters.spotify.com/pod/show/the-long-take/support
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Summary In this conversation, the speakers discuss their current projects and the use of AI in their work. They explore the potential impact of AI on developers and the future of software development. They also delve into the concept of diamonds and the diamond pattern in blockchain development, highlighting its benefits and potential applications.…
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Summary On his birthday, David DeVore discusses his interest in day trading crypto and finding ways to 10x productivity as an engineer. He introduces the concept of using AI tools, specifically AI-powered code writing, to speed up workflow. The conversation then focuses on Cursor, an AI-powered extension for VS Code, and its ability to provide cont…
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The year’s biggest Indian hit, Kalki 2898 AD, is just as irredeemable as Prabhas’ other recent films. But unlike those movies, this one barely features Prabhas at all and drags on for three hours without offering a single character you can latch on to. We talk about the film’s poor construction, subpar world-building, and superficial writing. We al…
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Summary The conversation covered various topics including the Diamond SDK, the Prop Shop, the Fuel SDK, and the GPT role description. The Diamond SDK is a tool that allows creators to deploy configurable contracts on chain, while the Prop Shop focuses on converting digital assets into physical products. The Fuel SDK simplifies the process of mintin…
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Angry Young Men, the three-part documentary about writers Salim Khan and Javed Akhtar’s partnership, is a massive missed opportunity. We discuss the show’s cagey approach to its legendary subjects, the overwhelming feeling of self-satisfaction, and the unearned points it tries to score for highlighting the plight of writers in the film business. We…
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Chandu Champion finds director Kabir Khan returning to 83 territory, for better or worse. We talk about the film’s shoddy storytelling structure, its complete lack of interest in developing its protagonist, and its over-reliance on crutches like music and contrivances. We also discuss Khan’s tendency to underestimate his audiences’ intellect and hi…
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In this conversation, David DeVore and Bob Ullery discuss their recent work on Restless, the creator portal for user-generated content. They explain how Restless allows creators to design and customize game assets, and how the platform supports cross-platform compatibility. They also discuss the launch of the Fuel network and the SDK they have been…
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In Phir Aayi Hasseen Dillruba, Taapsee Pannu and Vikrant Massey return as the murderous couple of hell who were introduced in 2021’s Haseen Dillruba. The sequel boasts an entirely different visual aesthetic and its romantic-thriller tone stands in contrast to the tongue-in-cheek pulpiness of the first film. We discuss what a huge mistake this is, w…
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David DeVore provides a recap of what the team has been working on at MeshMesh & Props, highlighting various projects and activations. He shares the excitement about a billboard going up in Times Square featuring artwork from 60 artists. He also discusses the Mega Mint feature, which allows users to buy curated collections in one transaction. David…
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Longlegs is the rare psychological horror movie that truly gets under your skin. Featuring an instantly iconic performance by Nicolas Cage, the movie creates an ominous atmosphere with the help of a measured pace and an unsettling reliance on silence. We discuss the film’s grounded first act and its rapid descent into full-blown supernatural horror…
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They might as well have called Maharaj “Junaid Khan’s Launch Vehicle” because naming it after the villain makes even less sense. We discuss the film’s many irredeemable flaws, which include shaming the victim of sexual abuse, projecting a red flag male character as the protagonist, and resorting to the problematic trope of “fridging.” We also talk …
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In its third and potentially final season, Kota Factory seems to be responding to past criticism. We discuss the show’s sudden bout of self-reflection, and the confused manner in which it examines the harsh realities of towns like Kota and the industries they service. We also talk about its aversion to human moments, and why the handful of them thi…
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Dibakar Banerjee is going to have to make two good movies to compensate for whatever hellish assault on the senses Love Sex Aur Dhokha 2 was. We discuss the film’s muddled social commentary, the frustration oozing out of every frame, and the general incoherence of the arguments. We also compare LSD2’s aesthetic and thematic shortfalls, especially w…
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Crew, the new heist movie starring Tabu, Kareena Kapoor Khan, and Kriti Sanon, effectively weaponises middle-class angst against corporate overlords. We praise the film’s dedication to punching up, the instant relatability that it is able to generate for its characters, and its tightly constructed first half. But we also criticise its endless produ…
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Writer-director Kunal Kemmu’s Madgaon Express smartly avoids taking the sleazy route and mostly succeeds in finding the soul of its cartoonish characters. We talk about the film’s familiar set-up, and how it transports a Hangover-like premise to India. We also discuss the performances of Divyenndu, Pratik Gandhi and Avinash Tiwary, while noting the…
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Heeramandi: The Diamond Bazaar, director Sanjay Leela Bhansali’s big-budget streaming debut, is yet another high-profile Netflix failure. A summation and culmination of Bhansali’s lifelong ambitions, the show represents everything that is wrong with his sensibilities and style-over-substance storytelling. We discuss the show’s flawed understanding …
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In addition to being a thought-provoking movie about how close we are to disintegrating as a society, Alex Garland’s Civil War is a rollicking cinematic experience. We discuss the film’s affection for journalism, the intricate character work that Garland is able to accomplish via action sequences, and the film’s stand-out moments. One of them invol…
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Is Amar Singh Chamkila a long-awaited return to form for director Imtiaz Ali, or is it another let-down from the once-promising filmmaker? We discuss the film’s inventive approach to the music biopic genre, if not narratively then at least formally. We also talk about Diljit Dosanjh and Parineeti Chopra’s central performances as the slain husband-w…
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Aattam, the latest Malayalam-language gem that further solidifies the industry’s artistic stronghold on the cinema landscape of the country, offers an inventive spin on the whodunnit genre. We discuss the film’s gripping narrative, ambitious social commentary, and director Anand Ekarshi’s bold voice. We also talk about the many moral quandaries tha…
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Is Fighter another in the long and increasingly problematic line of hyper-nationalistic Indian action movies, or is its biggest problem that it can’t look beyond star Hrithik Roshan? We discuss the many missteps that director Siddharth Anand makes in his follow-up to Pathaan, the unnecessary songs and the momentum-killing asides, but we also talk a…
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In this episode of The What if we Could Show, hosts Bob Ullery, Kevin Nuest, and David DeVore delve into the fascinating world of generative AI, specifically focusing on the use of stable diffusion models like Stable Diffusion and Comfy UI for creating digital content. The discussion begins with an overview of the generative AI ecosystem, highlight…
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Murder Mubarak lowers the bar even further for Netflix India, and feels like a particularly annoying missed opportunity. We talk about the inept filmmaking, the strange structure, and the over-the-top performances of its ensemble cast. We also wonder how the finished film can look like something that was snatched away from director Homi Adajania an…
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Merry Christmas, director Sriram Raghavan’s follow-up to the critical and commercial hit Andhadhun, is nothing to celebrate. We discuss the film’s lack of discernible aesthetic, the complete absence of any spark between stars Katrina Kaif and Vijay Sethupathi, and its baffling climax. Along the way, we discuss the decision to reduce an important ch…
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Dune: Part Two is being called one of the greatest sequels ever made. It isn’t. We discuss the problems that we’ve had with both Dune films, our issues with their cold tone, the seemingly rushed plot despite a nearly three-hour run-time, and the sheer number of characters to keep track of. But we also appreciate director Denis Villeneuve’s handling…
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"What If We Could" Podcast Episode: Navigating the Ethical Maze of AI with David, Calvin, and Kevin Join David DeVore, Calvin, and Kevin on this insightful journey through the ethical dilemmas and trust issues posed by artificial intelligence in our modern world. In this episode of "What If We Could," the trio dives deep into how AI challenges our …
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All India Rank, the feature directorial debut of Varun Grover, is a refreshing change of pace for Bollywood, but still not as good as it could have been. We discuss all the ways in which the coming-of-age drama avoids making the same mistakes as 12th Fail or Kota Factory, its ability to evoke a particular time and place, and its reliance on tried-a…
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Dunki, the third and final Shah Rukh Khan film of 2023, wastes all the goodwill he had built with Pathaan and Jawan. Directed by Rajkumar Hirani, Dunki ranks among the worst films we’ve covered on the podcast and is outdated to the point of being offensive. We talk about the film’s most insensitive scenes, Hirani’s disinterest in taking real-life g…
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Join host Calvin Hoenes and the co-founders of MeshMesh - Bob, David, and Kevin. This episode is packed with insightful discussions on how AI is reshaping our world, from executive decisions to legal practices and beyond. Tune in to explore the future of AI and its potential to drive innovation and accessibility in various industries. Executive Hes…
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Bhakshak, starring Bhumi Pednekar, is the latest socially conscious call-to-action from Shah Rukh Khan’s production company, and even though it’s a more grounded film, its sensibilities aren’t too dissimilar from Jawan. We discuss what we liked and disliked about the film’s portrayal of hyperlocal journalism, its depiction of real-life atrocities, …
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Joram, the fourth feature film from director Devashish Makhija, juggles multiple tones and narratives. But is it successful at it? We discuss Manoj Bajpayee’s mostly silent central performance as a displaced tribal man running for his life, and the film’s heavy handed socio-political commentary. We also wonder if the movie would’ve worked better as…
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Episode Summary: In this week's episode of "The What If We Could Show," hosts Calvin, Bob, and Kevin explore advancements in artificial intelligence and tech alpha. Join us as we delve into Etsy's AI-powered gift mode, Google's Lumiere for text-to-video transformation, AI's role in detecting pancreatic cancer early, Eleven Labs' impressive funding …
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Animal, starring Ranbir Kapoor, is hardly as offensive as director Sandeep Reddy Vanga probably intended it to be, but it’s aggravating on many levels nonetheless. We discuss the film’s infantile approach to its themes and Vanga’s dedication to being edgy at the expense of storytelling and character development. We also talk about the film’s unbear…
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Episode Overview: In this fascinating episode of the "What If We Could" podcast, host David DeVore and the MeshMesh team - Bob, Calvin, and Kevin - delve into the dynamic world of artificial intelligence and its evolving impact on technology and society. Highlights: AI's Energy Consumption: A deep dive into a Time Magazine article predicting AI tre…
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Is Salaar the worst movie we’ve covered on the podcast? It might be. We discuss the incomprehensible plotting, Prashanth Neel’s overwhelming direction, and debate about the film’s three major action set-pieces. We also eat our words about Salman Khan’s dedication and Zack Snyder’s poor world-building after having seen a disengaged Prabhas and an un…
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Podcast Description: "The What If We Could Show" by MeshMesh Episode Title: Exploring AI's Role in Supporting Autism and Neurodivergence Host: David DeVore Guests: Bob Ullery, Calvin Hoenes, Kevin Nuest Duration: 1 Hour Synopsis: In this insightful episode of "The What If We Could Show," host David DeVore dives into the fascinating world of artific…
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Join David DeVore, Kevin Nuest, and Calvin Hoenes in this insightful episode of MeshMesh's 'What If We Could' podcast, where they delve into the rapidly evolving world of AI, with a special focus on ChatGPT and its implications in autonomous innovation, Web3, and emerging tech. In this episode, they explore the launch of the new ChatGPT store and t…
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Shockingly, Tiger 3—the fifth overall instalment in the YRF Spy Universe—isn’t entirely unwatchable. But the movie could’ve been so much better with just about any other star in the lead role instead of Salman Khan, who not only struggles to emote but also seems pained to move physically. We talk about the film’s Pathaan-like progressive politics, …
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We're diving into the cutting-edge world of content creation in this episode, where we explore how AI is revolutionizing the way brands approach text, image, video, and ad production. Learn about the innovations behind atomizing content for every brand channel and learn how this technology is reshaping the landscape of digital marketing and brand s…
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Is 12th Fail actually one of the best Hindi movies of 2023 or is it massively overrated? We find ourselves wondering why writer-director Vidhu Vinod Chopra’s latest film is getting rave reviews, because all we could see was a deeply problematic, all too simplistic story about a young man let down by society. We also talk about Vikrant Massey’s perf…
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Kho Gaye Hum Kahan, the new film from the team behind The Archies, is a rare Bollywood movie about millennial malaise. But like its characters, it’s too distracted by social media and the desire to say something about our addiction to it. We talk about the performances of its three leads—Siddhant Chaturvedi, Ananya Panday and Adarsh Gourav—and disc…
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Rebel Moon is the worst film of Zack Snyder’s career, and that’s saying something. We talk about the director’s uninspired homage to the works of Akira Kurosawa and George Lucas, his unusually bland visuals, and the film’s wooden writing. We also wonder why the project looks so cheap, seeing as it comes from a streamer that is often willing to inve…
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Sofia Coppola’s Priscilla is the antithesis of Baz Luhrmann’s terrible Elvis movie. We discuss Coppola’s sad-core storytelling, her determination never to leave Priscilla’s side, and her absolutely damning portrayal of the King of Rock and Roll. We also talk about Cailee Spaeny’s central performance as Priscilla, Jacob Elordi’s menacing turn as Elv…
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In The Archies, writer-director Zoya Akhtar disguises her politics behind teen romance. But does this diffuse the impact of what she’s trying to say? We talk about the film’s coming-of-age themes, how each character is given definitive traits, and whether it’s successful in capturing teen angst. We also discuss the cast of newcomers, and wonder if …
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Kaathal – The Core, directed by Jeo Baby, is shaping up to be a real word-of-mouth hit, purely on the strength of its sheer quality. We speak about the many reasons why the new Malayalam-language drama left us so moved, and highlight the two central performances by Mammootty and Jyotika. We appreciate director Baby’s command over visual storytellin…
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Leo, the new Tamil-language blockbuster starring “Thalapathy” Vijay, is now on Netflix. We discuss the film’s abysmal storytelling, the charmless central performance, and poorly designed action sequences. We also talk about the larger Lokesh Cinematic Universe and how shoehorned-in the references to the franchise feel. Along the way, we attempt to …
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Watching The Railway Men is like taking an express train back to Netflix India circa 2019 when the bottom of the barrel would be scraped week after week. Almost unwatchable at even four episodes long, the new YRF-produced series is so inept that it makes you lose faith in the art of storytelling as a whole. We discuss the show’s bizarre approach to…
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Is The Killer one of David Fincher’s most inconsequential movies? We discuss the film’s subversive approach to the conventions of assassin cinema, Fincher’s clinical treatment of the subject matter, and the odd bursts of humour that he peppers through the two-hour narrative. We also talk about Michael Fassbender’s statue-esque performance, and spen…
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Is Killers of the Flower Moon a culmination of what director Martin Scorsese has been trying to achieve his entire career, or is it an overlong, overindulgent slog that general audiences will turn their backs on? We discuss the film’s simmering tone, the epic tragedy at its core, and the performances of its central cast, which includes Leonardo DiC…
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OMG 2, starring Pankaj Tripathi as a saintly middle-aged man, is a bizarre concoction of ideas that ultimately comes across as a lazy attempt to pander to the Hindu majority. We discuss the film’s odd approach to a straightforward story, its stretched, preachy narrative, and the fact that the decision to package it as a religious drama feels like a…
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Khufiya, the new spy movie on Netflix, might just be one of the worst things that Vishal Bhardwaj has ever done. We discuss the film’s tonal inconsistencies, incoherent plotting, odd performances, and most of all, that wild second-half. We also talk about the background score and how completely out of step with its story; the strange decision to in…
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